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MUSIC IN FASCIST ITALY

SACHS HARVEY

4 valoraciones por Goodreads
ISBN 10: 0297790048 / ISBN 13: 9780297790044
Editorial: WEIDENFELD & NICOLSON, LONDON, 1987
Condición: VERY GOOD Encuadernación de tapa dura
Librería: ARD Books (cleveland, OH, Estados Unidos de America)

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INSCRIBED TO GENE AND KLAUS IN FOND REMEMBRANCE OF THE FIRST OF YOUR MANY VISITS HARVEY MAY 94 WITH COLOR SNAPSHOT OF AUTHOR LAID IN BOOK IS SOLID CLEAN AND BRIGHT SMALL INDENTATION AT TOP OF FRONT COVER VERY NICE JACKET SEVERAL LIGHT PENCIL MARKS TO DENOTE PARAGRAPHS PREVIOUS OWNERS SIGNATURE. N° de ref. de la librería 004052

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Detalles bibliográficos

Título: MUSIC IN FASCIST ITALY

Editorial: WEIDENFELD & NICOLSON, LONDON

Año de publicación: 1987

Encuadernación: HARD COVER

Ilustrador: N/A

Condición del libro:VERY GOOD

Condición de la sobrecubierta: VERY GOOD

Ejemplar firmado: YES

Edición: FIRST.

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From Publishers Weekly:

Under Mussolini, unions were suppressed, trains ran on time, Italy attacked Ethiopia and most Italian artists kowtowed to the dictatornot least of all, composers, conductors, singers and writers on music. In this useful and interesting survey, Sachs (Toscanini) looks at Italian operas, concerts, conservatories, composers and performers under fascism and shows how they gave in to Mussolini's subtle pressures of patronage and official praiseamong them, composers Casella, Malipiero, Mascagni, Pizzetti and Respighi; singers Gigli, Lauri Volpi and dal Monte; conductors Gui and Molinari and cellist Mainardi. Here too are stories of apolitical musicians like de Sabata and Klemperer, who went on working without questioning events; the few like Toscanini, Dallapiccola and Tita Ruffo who fought fascism or were contemptuous of it; foreign musicians like Paderewski and Stravinsky who acclaimed Mussolini; Bartok, who was probably the most anti-fascist of the major non-Italian composers; and Castelnuovo-Tedesco, who had to leave Italy when anti-Semitic edicts were instituted in 1939.
Copyright 1988 Reed Business Information, Inc.

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