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Love, Desire and Identity in the Theatre of Federico García Lorca

McDermid, Paul

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ISBN 10: 1855661462 / ISBN 13: 9781855661462
Editorial: Boydell & Brewer Ltd, 2007
Nuevos Condición: Brand new Encuadernación de tapa dura
Librería: Boydell & Brewer (Martlesham, Reino Unido)

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Descripción

A dialectical tension between physical desire and metaphysical love lies at the heart of the theatre works of Federico García Lorca, and the deployment of queer theory's critique of gender and identity is surprisingly effective in this discussion of love versus desire. Seldom is enough attention paid to the poet's early works, and so this book offers a timely review of the 'religious tragedy' Cristo , as well as Mariana Pineda , uncovering in these early offerings an explicit proposal of the supremacy of love over desire. A meditation on the fragmentary and challenging El público yields a vivid panorama of identity in crisis, and a paradigmatic Lorcan sacrif ice of self for love. The ostensibly more conventional tragedies of Amor de Don Perlimplín con Belisa en su jardín and Yerma are also reassessed in terms of self-sacrifice and self-love. The study concludes with an a rgument for a practical re-reading of La casa de Bernarda Alba , which emphasises how the play might be saved from po-faced realism with music, humour and drag performance. PAUL McDERMID lectures in Spanish at Que en's University Belfast. N° de ref. de la librería 656

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Detalles bibliográficos

Título: Love, Desire and Identity in the Theatre of ...

Editorial: Boydell & Brewer Ltd

Año de publicación: 2007

Encuadernación: Hardcover

Condición del libro:Brand new

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Sinopsis:

A dialectical tension between physical desire and metaphysical love lies at the heart of the theatre works of Federico García Lorca, and the deployment of queer theory's critique of gender and identity is surprisingly effective in this discussion of love versus desire.
Seldom is enough attention paid to the poet's early works, and so this book offers a timely review of the 'religious tragedy' Cristo, as well as Mariana Pineda, uncovering in these early offerings an explicit proposal of the supremacy of love over desire. A meditation on the fragmentary and challenging El público yields a vivid panorama of identity in crisis, and a paradigmatic Lorcan sacrifice of self for love. The ostensibly more conventional tragedies of Amor de Don Perlimplín con Belisa en su jardín and Yerma are also reassessed in terms of self-sacrifice and self-love. The study concludes with an argument for a practical re-reading of La casa de Bernarda Alba, which emphasises how the play might be saved from po-faced realism with music, humour and drag performance.

About the Author:

PAUL McDERMID lectures in Spanish at Queen's University Belfast.

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