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My Life as a Fake-SIGNED FIRST PRINTING

Carey, Peter

2.753 valoraciones por Goodreads
ISBN 10: 0571216188 / ISBN 13: 9780571216185
Editorial: Faber, London, 2003
Condición: Fine Encuadernación de tapa dura
Librería: Signature Firsts (Brecon, Reino Unido)

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Descripción

Fine first printing in fine dustwrapper. An as-new copy in complete and unmarked dustwrapper. Signed by the author to the title page, without further inscription. As a keen collector myself I make every effort to provide a high level of service. Enquiries welcomed. N° de ref. de la librería 005643

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Detalles bibliográficos

Título: My Life as a Fake-SIGNED FIRST PRINTING

Editorial: Faber, London

Año de publicación: 2003

Encuadernación: Hardback

Condición del libro:Fine

Condición de la sobrecubierta: Fine

Ejemplar firmado: Signed by Author

Edición: First Edition.

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Sinopsis:

My Life as a Fake:

Review:

Peter Carey's My Life as a Fake is a literate mystery of forgeries and doppelgangers with a fictional manuscript at its heart. The mystery--the origin of a brilliant but purportedly faked poem--fuels a whirlwind pursuit through Australia and across the wilds of Malaysia. Grappling with her own childhood demons, Carey's bibliophile sleuth, Sarah Wode-Douglass, sometimes becomes lost in the exotic and bloody chase.

The novel opens as Sarah, the reluctant tourist and editor of The Modern Review, is dragged by a foppish poet-friend, John Slater, to Kuala Lumpur. Sarah is intent on biding her time in her hotel, but a chance encounter with a scabrous reader of Rilke soon transforms Sarah's plans and, ultimately, her life. The reader, the Australian poet Christopher Chubb, is the disgraced initiator of a great literary hoax--the faked poems of the non-existent Bob McCorkle. The McCorkle hoax was Chubb's attempt to bring down a rising poetry editor, David Weiss. When the hoax was exposed, Weiss was believed to have committed suicide. But, living in exile, Chubb has hidden a secret for decades: Bob McCorkle had seemingly materialised in human form, killing Weiss and destroying Chubb's life. Sarah is tantalised by a fragment of supposed McCorkle poetry that Chubb has shared with her. Whether it is a fake or the work of a madman, Sarah believes it is genius. Her obsession, however, drives her and Chubb to the precipice of self-destruction.

The primary story--Chubb's pursuit of McCorkle--lives in the fictional past, and the plot occasionally becomes muddled in the nest of narrators recalling conversations second or third hand. In playing out the McCorkle affair, Carey’s denouement comes too quickly. If Sarah is transformed, Carey doesn't reveal enough of her in the text. He is mesmerised, as is the reader, by Chubb's horrific tale.

With its small shortcomings, the novel offers a sophisticated interrogation of authorship and fakery and the power of art. Carey avoids simplifying the McCorkle mystery, leaving the reader to puzzle out McCorkle's bizarre incarnation. While My Life as a Fake is frequently entertaining, the atmospheric mystery occasionally glimpses the profound. --Patrick O'Kelley, Amazon.com

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