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0262040867 First edition, 1987. A fine copy in a near fine jacket with some very light normal wear. A very scarce and beautifully produced title on Lequeu. N° de ref. de la librería
Sinopsis: "Jean-Jacques Lequeu does in fact hide behind the most enigmatic and controversial smile in the history of art," writes Philippe Duboy in a book that is one of the most tantalizing examples of architectural investigation ever produced.
It is an extraordinary compilation - part speculative biography, part meticulous research, with hundreds of intriguing drawings, many in color - that unravels the mystery of this eighteenth-century maverick artist whose drawings have established him variously as a visionary architect associated with Boullée and Ledoux, forerunner of surrealism, and inventor of bad taste.
Lequeu's architectural drawings from the legendary portfolios Architecture civile and Nouvelle methode are presented here in their entirety, along with his "Lewd Figures," perhaps the oddest feature of the whole collection. The drawings are accompanied by long captions, misspelt and ungrammatical, but written in a flawless bureaucratic hand. The artist's marginalia provide insights into his visions, which seem dominated by an obsession with petrified forms and a recurring preoccupation with sex. Interleaved with the drawings are curious autobiographical papers. And it is here that Duboy's investigation of Lequeu begins to reveal strange clues.
He discovers that Lequeu was not an architect at all but a government bureaucrat, a draftsman who ended up living in a brothel. Between the brothel and the obscure office from which he was eventually fired, he produced his "encyclopedia of the universe" - bizarre portraits of nuns baring their breasts and other lewd figures, and architectural fantasies of vast imaginary cities.
Duboy takes his study further, into the realm of Charles Fourier and his brother-in-law Anthelme Brillat-Savarin and from there to the world of the dadaists, surrealists, and futurists, particularly the circles of Marcel Duchamp and Le Corbusier. He suggests that Duchamp and Raymond Rousell tampered with the Lequeu drawings to concoct a character and oeuvre even more puzzling. There are glimpses of Duchamp's convolutions of mind that will stir a reassessment of his work. "Duchamp emerges here, for the first time, as an intrepid and unwavering despiser of Le Corbusier. Twentieth-century reputations are as much at stake in this study as those of the eighteenth-century artist," notes Robin Middleton.
Philippe Duboy is Professor of the History of Cities, Paris-Belleville School of Architecture.
Text: English (translation)
Original Language: French
Título: Lequeu: An Architectural Enigma
Editorial: The MIT Press
Condición del libro: Fine
Descripción The MIT Press, 1986. Hardcover. Estado de conservación: Near Fine. Estado de la sobrecubierta: Near Fine. Rust orange cloth. A few pages are dogeared at tips but the book is otherwise as new, clean and very sharp, with a tight binding and clean pages. Dust jacket has a hint of wear at tips of corners. otherwise as new and now protected in a clear mylar cover. Overseas shipping would be prohibitive. Nº de ref. de la librería 902917
Descripción The MIT Press, Cambridge, 1987. Hard Cover. Estado de conservación: Near Fine Plus. Estado de la sobrecubierta: Near Fine Plus. First American Edition. cloth, hard cover in dust jacket. large, heavy book., no flaws or wear, a very well preserved copy. clean, no writing or markings, no tears, clips, bumps. strong binding.; english text, translated from french original.; 367pp., illustrated throughout in color, b/w. comprehensive study of jean-jacques lequeu, 18th century architect and artist. foreword by bernard middleton. Size: Folio - over 12" - 15" tall. Nº de ref. de la librería 16290
Descripción MIT Press,, Cambridge, 1987. Hard Cover. Estado de conservación: Fine. Estado de la sobrecubierta: Fine. No inscriptions or tears. 367 pages with profuse b/w and color ills. Size: 9.5 x 13 Inches. Nº de ref. de la librería 048733
Descripción MIT, Cambridge, 1987. Hardcover. Estado de conservación: Near fine. Estado de la sobrecubierta: very good. 1st. Bound in the publisher's original cloth over boards, spine stamped in gilt. Light rubbing to edges and extremities of dust jacket. Profusely illustrated throughout with plates and figures in black & white and color. Nº de ref. de la librería 9021588
Descripción MIT Press, Cambridge, 1987. hardcover. Estado de conservación: fine. Estado de la sobrecubierta: fine. First. Foreword by Robin Middleton. Profusely illustrated with fantastic plates, a few in color. 367 pages, thick 4to, rust cloth, d.w. Cambridge: MIT Press, (1987). First American edition. A fine copy in a fine dust wrapper. Nº de ref. de la librería 249138
Descripción The MIT Press, Bx-160, 227, 1986. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. First Edition; First Printing. Hardcover. 4to. MIT Press. 1986. 367 pgs. Hundreds of illustrations in color and in b&w. DJ in excellent shape, unclipped and with no tears present. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Photos sent upon request. Bx-160, 227; 4to 11" - 13" tall; 367 pages. Nº de ref. de la librería 42011
Descripción The MIT Press. Hardcover. Estado de conservación: Very Good. 0262040867 Very good copy in lightly edge worn dj, more so at top of spine. Art prof's ownershipon half title. Nº de ref. de la librería R3-LE1H-9D3G
Descripción Mit Press edition, Great Britain, 1987. Hardcover. Estado de conservación: Near Fine. Estado de la sobrecubierta: Near Fine. Near fine copy - Published 1987. Nº de ref. de la librería 000366
Descripción The MIT Press, 1986. Hardcover. Estado de conservación: New. 1st MIT Press ed. Nº de ref. de la librería DADAX0262040867
Descripción The MIT Press, 1986. Estado de conservación: very good. Gently used. Expect delivery in 20 days. Nº de ref. de la librería 9780262040860-3