Título: The Last Party: Studio 54, Disco, and the ...
Editorial: William Morrow & Co, New York
Año de publicación: 1997
Condición del libro: Fine
Condición de la sobrecubierta: N-Fine
Edición: 1st Edition.
Tipo de libro: Book
A window into the zeitgeist of the 70s- disco mania, sexual abandon, coke and 'ludes, glitter and glam-the era of the last good time Studio 54 was the epicenter of disco culture and pre-AIDS debauchery. Now, journalist and nightworld denizen Anthony Haden-Guest takes us behind the velvet rope that separated the celebrities from the wanna-bes, into an all-night world of revelry, sensation, and decadence. Going beyond the endless partying with Liza, Bianca, Halston, Andy, and Mick, Haden-Guest probes the seamy underside of Studio 54: the drugs, the deaths, and the corruption that eventually shuttered the club. It is the story of Studio 54's flamboyant owners, Steve Rubell and Ian Schrager, who achieved early success beyond their wildest imaginings, came within a hair's breadth of great power, and then crashed and burned.Review:
British socialite and writer Anthony Haden-Guest has been a champion party-goer for more than 30 years. There are few people more qualified to lead a reader, as he does in The Last Party, past the velvet ropes and doorman and into the tornado of 1970s disco, drug excess, and excessive sex that was Studio 54. Unlike some of his contemporaries whose memories are dulled by years of hard living, Haden-Guest seems to actually recall many of his experiences at Studio. His book is therefore part personal memoir, part reportage.
The cast of characters includes Andy, Liza, Halston, and Bianca--no last names needed--and other luminaries etched into Steve Rubell and Ian Schrager's exclusive guest list. The anecdotes include lurid details of the revelry and stories like the one about that Halloween when two Lady Godivas were kept outside but their horse was allowed in. Haden-Guest resists the obvious urge to dish too much about the stars and instead examines the club as a social phenomenon. In his book, the front door of Studio 54 swings open just long enough to let escape the shadow of a scene that's long since seen the light of day.
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