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Impressionism Art, Leisure, and Parisian Society

Herbert, Robert L. , Et Al

128 valoraciones por Goodreads
ISBN 10: 0300042620 / ISBN 13: 9780300042627
Editorial: Yale University Press, 1988
Condición: Very Good+ Encuadernación de tapa dura
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Descripción

Mylar protected dustjacket is slighty tanned along top edge flaps. Front free endpaper creased a top corner. ; 11.75" tall; 312 pages. N° de ref. de la librería 48824

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Detalles bibliográficos

Título: Impressionism Art, Leisure, and Parisian ...

Editorial: Yale University Press

Año de publicación: 1988

Encuadernación: Hardcover

Condición del libro:Very Good+

Condición de la sobrecubierta: Very Good+

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Sinopsis:

Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings

From Publishers Weekly:

After Baron Haussmann remodeled Paris in the 1850s and '60s, the city's clear perspectivesbroad streets and vast squares, cafes and theatersbecame the raw material for paintings by Manet, Degas, Renoir, Morisot, Monet and Caillebotte. This provocative rewarding study starts with that architectural premise, then goes on to consider individual Impressionists in the context of the social forces that shaped their art. Renoir, a working-class boy who climbed out of poverty by aspiring to a life of ease, conjured up a fleshy Arcadia that reflected city-dwellers' longing for social harmony; his sin, according to Yale art-history professor Herbert, was self-delusion. Degas infused painting with caricature, unmasking upper-class hypocrisy. Picture after picture is given a fresh, often unexpected reading, and the 320 plates (two-thirds in color) are deftly interwoven with the sprightly narrative. The study is a visual and intellectual feast. BOMC alternate.
Copyright 1988 Reed Business Information, Inc.

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