Descripción
The University of Rijeka (ed) Pages: 412 p.Language(s):English. Publication Year:2017. Brepols. ISBN: 978-2-503-57175-1. Paperback --- TABLE OF CONTENTS Uvodna rijec / Foreword Alexei Lidov, The Priesthood of the Virgin Mary as an Image-Paradigm of Christian Visual Culture Timothy Verdon, Mary in Western Art Veronika Nela Gaspar, Mater misericordiae. Maria testimone modello e creatura particolare della misericordia di Dio Maria Lidova, XAIPE MAPIA. Annunciation Imagery in the Making Kristine Sabashvili, Early Images of the Mother of God in Georgian Art (5th-10th centuries) Alessandro Tomei, Giotto's Annunciation to the Virgin in Arena Chapel in Padua between East and West Kayoko lchikawa, Guido da Siena's Coronation of the Virgin. Thirteenth-Century Marian Devotion between East and West Federica Volpera, lconografia e devozione come aspetti della maniera greca. Alcune osservazioni sulle differenti icone mariane presenti in un manoscritto francescano tardo duecentesco Fuensanta Murcia Nicolás, The Byzantine Legacy in the Manuscripts. Les Miracles de Nostre Dame by Gautier De Coinci Stefania Paone, Apocalypse and Maternity. The Mulier amicta sole in the Church of Santa Maria Donnaregina in Naples Stefan Valasek, Iconography of the Virgin Mary in Medieval Wall Paintings in Ludrova-Kut in Slovakia Sasa Brajovi Milena Ulcar, Legends, Images and Miracles of the Virgin Mary in the Bay of Kotor in Early Modern Period Valentina Zivkovic, Satana in forma della Madonna. Serafino Razzi and the Dominican Observant Reform in Kotor lvana Capeta Rakic Giuseppe Capriotti, Two Marian Iconographic Themes in the Face of Islam on the Adriatic Coast in the Early Modern Period Mauro Salis, The Virgin Hodegetria Iconography in the Crown of Aragon in the Early Modern Period. Canons, Allotropies and Variants Alessandra Galizzi Kroegel, The Altarpieces by Bernardo Zenale at the Getty and Denver Art Museums. Two Case Studies for the Iconography of the Immaculate Conception Yvonne Dohna Schlobitten, Madonna Sistina Heidegger e la carita dell'immagine. lconografia mariana tra Occidente e Oriente Elissa Auerbach, Domesticating the Virgin in Early Modern Netherlandish Art Hannah lterbeke, Cultivating Devotion. The Sixteenth-Century Enclosed Gardens of the Low Countries Rosa Margarita Cacheda Barreiro, The Defence of Mary and the Triumph over Heresy in Post-Tridentine Images in Spain Carme López Calderón, Emblematizing Mary. Displayed Emblems to Elaborate on the Virgin's Mediation in the Early Modern Period on the Iberian Peninsula Ana Cristina Sousa, The Image of the lmmaculata as Patroness of Portugal and a Motif in Traditional Jewellery Pendants Laura Stagno, Figurae Mariae. Iconography of the Virgin and of Her Biblical Prefigurations in Early Modern Decorative Cycles in the Republic of Genoa Gyorgy E. Szönyi lldikó Sz. Kristóf, A Multimedial Cult of the Virgin Mary Created and Sponsored by the Hungarian Aristocrat Pál Esterházy (1635-1713) Silvia Marin Barutcieff, The Flight into Egypt Virgin Mary as Christ-Bearer. Iconographic Models in Romanian Mural Paintings of 18th and 19th Centuries Marco Bogade, Marian Columns in Central Europe as Media of Post-Tridentine Policy of Recatholisation Benjamin Foudral, The Virgin Mary, Common Womenfolk. The Perspective of Belgian and European Iconographic Revival in fin-de-siècle. N° de ref. del artículo 02827
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