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First Edition. SIGNED by the author on the title page.Author of "From Reverence to Rape: The Treatment of Women in the Movies," a landmark book in the scholarship of film. Here the author argues that women in classic cinema may have been better served than leading women of film today. Near Fine and unread in a Fine dust jacket. N° de ref. de la librería
Sinopsis: Molly Haskell, one of America's leading film critics, has been delighting readers for decades with her intelligence and insight. Her landmark book, From Reverence to Rape: The Treatment of Women in the Movies, praised for its "wit and style" and called "a valuable contribution to film scholarship," is still considered among the most stimulating and important books on the subject of women and film. In Holding My Own in No Man's Land, a series of pieces written in the twenty years since the publication of From Reverence to Rape, Haskell once again explores the relationship between women and men, and between the movies and those who watch them.
Haskell remains a controversial figure in both feminist and film circles, accused of "uncritically celebrating heterosexual romance"--a charge to which Haskell cheerfully pleads guilty. Holding My Own In No Man's Land challenges the conventional feminist wisdom that the classic films of the Thirties, Forties, and Fifties were made by a male-dominated industry which reduced women to objects of the "male gaze." Instead, she says that women were better served by the notoriously tyrannical studio system than they are in the "newer, freer, hipper Hollywood of the present." A fascinating interview with Doris Day points out that, despite her current image as a symbol of all that was repressive about the suburban Fifties, she played a series of roles as--and was herself--a successful career woman who worked because she enjoyed it. In another perceptive portrait, Haskell describes the mesmerizing power the sultry, self-parodying sex symbol Mae West had on screen, and the financial clout she had off screen. And she writes about Howard Hawks's screwball comedies, such as His Girl Friday and Man's Favorite Sport from the Thirties, where assertive women were equal to men, and more than held their own in the battle of the sexes.
Holding My Own in No Man's Land ranges from interviews with Hollywood legends such as Gloria Swanson and John Wayne, to celebrations of the comic verve of Lucille Ball and Carol Burnett, to ruminations on literary figures such as Truman Capote and his Holly Golightly, and Jane Austen's Emma. We learn that the cleaning woman of The Carol Burnett Show logo was a reminder of the days when Burnett and her grandmother, "out of spoons and relief money," worked nights as cleaning women in the Warner executive offices. We see Meryl Streep "hiding in the spotlight" in a refreshingly skeptical analysis of Streep's determination to be an actress rather than a star. Finally, Haskell closes with a wickedly funny section on recent fashion and style, including pieces on "Lipstick Envy" and "Nude With Attitude."
Haskell describes Holding My Own in No Man's Land as "a kind of continuing set of ruminations, encounters, insights, and images of people and characters who have had an influence on our lives." With wit and style she illuminates the hopes and fears we project onto these larger-than-life figures-- the grand dames, the stoic heroes, the dueling couples--and the lessons we learned from them about how to fall in love, how to act as adults, and how to live in this complex world.
Review: Noted film critic and essayist Molly Haskell has assembled some of her finest articles of the past 20 years into a cohesive collection focusing on the roles women play on film and in the film business. Holding My Own in No Man's Land features essays on Mae West, Marlene Dietrich, Doris Day, and other actresses; thoughtful pieces on literary characters such as Jane Austen's Emma; and a section entitled "Guys," which features a profile of Truman Capote and a surprising and thoughtful essay based on an interview with John Wayne. As one of America's finest writers on film, Haskell's collection of essays is a must for those who regard film as something worth thinking about.
Título: Hold My Own in No Man's Land: Women and Men ...
Editorial: Oxford University Press
Año de publicación: 1997
Edición: First Edition.
Descripción Oxford University Press, USA, 1997. Estado de conservación: Good. First Ed.- 1st Printing. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Nº de ref. de la librería GRP68182416
Descripción Oxford University Press Inc, 1997. Hardcover. Estado de conservación: Good. Good condition is defined as: a copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Most items will be dispatched the same or the next working day. Nº de ref. de la librería mon0007534319
Descripción Oxford University Press, Incorporated. Hardcover. Estado de conservación: Good. Book has some visible wear on the binding, cover, pages. Nº de ref. de la librería G0195053095I3N00
Descripción Oxford University Press. Hardcover. Estado de conservación: GOOD. Good clean copy with no missing pages might be an ex library copy; Possibly may have minor marginal notes and or highlighting. Nº de ref. de la librería 2796899141
Descripción Oxford University Press, Incorporated. Hardcover. Estado de conservación: Fair. Nº de ref. de la librería G0195053095I5N00
Descripción Oxford University Press. Hardcover. Estado de conservación: GOOD. book was well loved but cared for. Possible ex-library copy with all the usual markings and stickers. Some light textual notes, highlighting and underling. Nº de ref. de la librería 2802350942
Descripción Oxford University Press, 1997. Hardcover. Estado de conservación: Acceptable. Some shelf wear Stained Satisfaction 100% guaranteed. Nº de ref. de la librería mon0001760715
Descripción Oxford University Press, 1997. Hardcover. Estado de conservación: Good. Nº de ref. de la librería mon0001583248
Descripción Oxford University Press. Hardcover. Estado de conservación: Fine. 0195053095 Crisp pages and tight binding. Slight shelf wear on dust jacket. Light sun fading. Nº de ref. de la librería F57-HW3V-M724
Descripción Oxford University Press, 1997. Hardcover. Estado de conservación: Very Good+. Estado de la sobrecubierta: Very Good. First Edition; First Printing. 9.30 X 6 X 1.10 inches. Nº de ref. de la librería 355478