Imagen de la librería
Título: A Heartbreaking Work of Staggering Genius
Editorial: Picador, London
Año de publicación: 2000
Encuadernación: Hard Cover
Condición del libro: As New
Condición de la sobrecubierta: As New
Edición: First Edition
A UK first edition / first printing of Egger's famous book, with the full numberline 123456789 on the copyright page. This is a perfect copy, not price-clipped or ex libris, and with no inscriptions or marks. The book block is white and square. The grey hardcover is immaculate, with unfaded silver embossed lettering, carrying the quote 'Mercy is not a cure, quiet has its own set of problems'. Lovely. All our books are stored out of sunlight, and sent with care. N° de ref. de la librería 000278
Sinopsis: Dave Egger's parents died from cancer within a month of each other when he was 21 and his brother, Christopher, was seven. They left the Chicago suburb where they had grown up and moved to San Francisco. This book tells the story of their life together.
Críticas: At the age of 22, Dave Eggers became both an orphan and a "single mother" when his parents died within five months of one another of unrelated cancers. In the ensuing sibling division of labour, Dave is appointed unofficial guardian of his eight-year-old brother, Christopher. The two live together in semi-squalor, decaying food and sports equipment scattered about, while Eggers worries obsessively about child-welfare authorities, molesting babysitters and his own health. His child-rearing strategy swings between making his brother's upbringing fun and performing bizarre developmental experiments on him. (Case in point: his idea of suitable bedtime reading is John Hersey's Hiroshima.) A Heartbreaking Work of Staggering Genius is also, perhaps less successfully, about being young and hip and out to conquer the world (in an ironic, media-savvy, Generation-X way, naturally). In the early 1990s, Eggers was one of the founders of the very funny Might Magazine, and he spends a fair amount of time here on Might, the hipster culture of San Francisco's South Park and his own efforts to get on to MTV's Real World. This sort of thing doesn't age very well--but then, Eggers knows that. There's no criticism you can come up with that he hasn't put into A Heartbreaking Work of Staggering Genius already. "The book thereafter is kind of uneven," he tells us regarding the contents after page 109, and while that's true, it's still uneven in a way that is funny and heartfelt and interesting. All this self-consciousness could have become unbearably arch. It's a testament to Eggers's skill as a writer--and to the heartbreaking particulars of his story--that it doesn't. Eggers comes from the most media-saturated generation in history--so much so that he can't feel an emotion without the sense that it's already been felt for him. What may seem like postmodern noodling is really just Eggers writing about pain in the only honest way available to him. Oddly enough, the effect is one of complete sincerity, and--especially in its concluding pages--this memoir as metafiction is affecting beyond all rational explanation. -- Mary Park
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