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Half Past Autumn: A Retrospective

Gordon Parks

ISBN 10: 0821222988 / ISBN 13: 9780821222980
Editorial: Bulfinch, 1997
Usado Condición: Very Good Encuadernación de tapa dura
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Town & City Books
Reno, NV, Estados Unidos de America

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Librería en AbeBooks desde: 17 de mayo de 2010

Descripción

First Edition. From a well-cared-for, private library. Light wear to dust jacket. 0821222988. N° de ref. de la librería 010772

Cantidad: 1

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Detalles bibliográficos

Título: Half Past Autumn: A Retrospective

Editorial: Bulfinch

Año de publicación: 1997

Encuadernación: Hardcover

Condición del libro: Very Good

Condición de la sobrecubierta: Very Good

Edición: 1st Edition

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Sinopsis:

At age 84 Gordon Parks is regarded by many as a living legend - photographer, film-maker, novelist, poet and composer whose life and work present an inspiring success story. In this volume the artist provides a complete retrospective of his photographic career - a book that fuses nearly 300 images with Parks' own account of his life. The text chronicles how Parks was able to turn his rage against racism into a creative force - and transform himself from a homeless teenager into one of the great photojournalists of our era, working first for the Farm Security Adminsitration then at "Vogue" and then as staff photographer for "Life" magazine. The images included in the book cover a wide range of subjects - youth gangs in New York, fashion models in Paris, a young boy in Rio's slums, portraits of Ingrid Bergman and Winston Churchill and civil rights protests to name just a few - but all are marked by Parks' bold signature style and uncompromising vision. The book also includes a sampling of his recent abstarct work in colour.

Review:

Gordon Parks is one of the 20th century's greatest multitalented cultural treasures: a writer, poet, musician, composer, filmmaker, and photographer. In this book--the companion volume to a traveling retrospective--the full flower of Parks's genius is both awe-inspiring in its depth and thorough in its demolition of the era's social-science fictions about African American potential.

Born in Kansas, Parks wandered as a homeless teen, and through wit, smarts, and improvisation--and no experience--landed a job as a photographer for the Farm Security Administration, then with his new skill took pictures for Life magazine. "Tyrants, dictators, dethroned kings," he writes, "all stared into my camera with eyes that were unveiled. The camera revealed them as they were--human beings imprisoned inside themselves." Highlights among his photographic work include the haunting shot of domestic Ella Watson, the starkness of a 1940s teenaged gang leader named Red Jackson lying eternally young in his coffin, and the elegant, life-and-death ballet of the Spanish bullfight. Parks's depiction of Duke Ellington's towering music in motion reflects the importance of jazz and blues in Parks's artistry. From the films Shaft and The Learning Tree (the latter adapted from his own novel) to his impressionistic ballet honoring Martin Luther King Jr., his work swings with an American rhythm that continues to inspire him. "A musical theme vibrates in my sleep," he writes. "I get up, go to the piano, and jot it down. A blustery sky, a crescent moon, or the blazing sun can hurry me to poetry, or to the camera. When the doors of promise open, the trick is to quickly walk through them." --Eugene Holley Jr.

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