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A Guide to Opera Recordings

Mordden, Ethan

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ISBN 10: 0195044258 / ISBN 13: 9780195044256
Editorial: Oxford University Press, USA, 1987
Usado Condición: Good
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Better World Books
Mishawaka, IN, Estados Unidos de America

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Librería en AbeBooks desde: 3 de agosto de 2006


Former Library book. Shows some signs of wear, and may have some markings on the inside. N° de ref. de la librería GRP9122204

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Detalles bibliográficos

Título: A Guide to Opera Recordings

Editorial: Oxford University Press, USA

Año de publicación: 1987

Condición del libro: Good

Edición: First Edition.

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This book is a consumer guide, an opera appreciation course, and a history of recording techniques and lore, all rolled into one. With the same wit and verve that he brought to Opera Anecdotes and Demented: The World of the Opera Diva, Ethan Mordden reviews opera's legacy of recordings, from Monteverdi to Stephen Sondheim, from Nellie Melba to Luciano Pavarotti, from cylinders and 78s to lps and compact discs.
There have been guides to opera's discography before, but no single-volume work as wide-ranging and up-to-date as this one: not only the major composers, but also many "minor" ones are represented; and both live performances and studio recordings are featured. Not a mere listing of recordings, but a narrative history of opera since its earliest days, the book provides chapters on the First Operas, Mozart, German Romanticism, Grand Opera, Rossini, Verdi, Russian Opera, Puccini, Stravinsky, Modern French Opera, Strauss, Weill, Britten, Gerswin, American Opera and much more. Even the most recent productions, like Les Miserables, and such newly hailed opera stars as Kathleen Battle and Ghena Dimitrova are discussed. Recording information, including cast and label, is contained in the text while a helpful index enables the reader to locate composers, their works, and the recordings of favourite singers quickly and easily.
Every opera lover, whether newcomer or veteran buff, will find the answers they have been looking for in this entertaining new handbook. What is the best Rigoletto? The most complete Lohengrin? The most avoidable Carmen? How does Maria Callas sound singing Wagner? What of the great Ring recordings -- how does Georg Solti's measure up against Herbert von Karajan's? Has sonic technology improved Callas' classic, thirty-five- year-old Tosca, or has it damaged it? Are "bargain boxes" of records actually a good buy or just shoddy merchandise? Do we really get anything out of ancient recordings that we can't get in digital sound from CDs? Ethan Mordden's latest work is the perfect companion to steer the reader through the marvels of opera.

About the Author:

About the author:
Ethan Mordden was the Assistant Editor of Opera News magazine for two years. His seventeen books include Broadway Babies, Movie Star, The Splendid Art of Opera, The Hollywood Musical, and three works of fiction, I've a Feeling We're Not in Kansas Anymore, One Last Waltz, and Buddies.

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