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Título: The Girl Who Kicked the Hornet's Nest
Editorial: Maclehose Press (Quercus), London, UK
Año de publicación: 2009
Encuadernación: Hard Cover
Condición del libro: As New
Condición de la sobrecubierta: As New
Edición: First Edition
A true UK first edition / first printing, with the correct dates and the full numberline 10 9 8 7 6 5 4 3 2 1 on the copyright page. A dazzlingly-fine copy of the Swedish author's third novel, published posthumously, to great acclaim. The final book in his Millenium crime trilogy, following journalist Mikael Blomkvist and troubled outsider Lisbeth Salander. This copy was bought on the day of publication, and has been stored in wraps, out of sunlight, ever since. Consequently, there is no fading to either the pages or the jacket, both of which are immaculate. The book block is square, white and tight. The jacket is glossy and pristine. Has never been read. Only opened to check first edition status. Not price-clipped, of course, and with no inscriptions or marks of any kind. There cannot be a more perfect copy. All our books are protected by a removable plastic cover, and sent with care. N° de ref. de la librería 000486
Salander is plotting her revenge - against the man who tried to kill her, and against the government institutions that very nearly destroyed her life. But it is not going to be a straightforward campaign. After taking a bullet to the head, Salander is under close supervision in Intensive Care, and is set to face trial for three murders and one attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must not only prove her innocence, but identify and denounce the corrupt politicians that have allowed the vulnerable to become victims of abuse and violence. Once a victim herself, Salander is now ready to fight back.
Críticas: A young girl lies in a hospital room, her tattooed body very close to death -- there is a bullet lodged in her brain. Several rooms away is the man who tried to kill her, his own body grievously wounded from axe blows inflicted by the girl he has tried to kill. She is Lisbeth Salander, computer hacker and investigator, and the man is her father, a murderous Russian gangster. If Salander recovers from her injuries, she is more than likely to be put on trial for three murders -- the authorities regard her as a dangerous individual. But she won't see the inside of a courtroom if her father manages to kill her first.
This is the high-tension opening premise of the third book in Stieg Larsson?s phenomenally successful trilogy of crime novels which the late author (a crusading journalist) delivered to his publisher just before his death. But does it match up to its two electrifying predecessors, The Girl with the Dragon Tattoo and The Girl who Played with Fire? The success of Larsson?s remarkable sequence of books is, to some degree, unprecedented. Crime fiction in translation has, of course, made a mark before (notably with Peter Hoeg?s Miss Smilla?s Feeling for Snow, published, in fact, by Larsson's British publisher, Christopher MacLehose). But even the success of that book gave no hint of the juggernauts that the Salander books would be (the late author's secondary hero is the journalist Blomqvist -- who bears more than a passing resemblance to Stieg Larsson himself).
There are two overriding reasons for the hold that this massive trilogy has attained on the public: machine-tooled plotting which juggles the various narrative elements with a master's touch and (above all) the vividly realised character of Lisbeth Salander herself. She is something of a unique creation in the field of crime and thriller fiction: emotionally damaged, vulnerable and sociopathic (all of this concealed behind a forbidding Goth appearance), but she is also the ultimate survivor, somehow managing to stay alive despite the machinations of some deeply unpleasant villains (and the new book has a slew of those) as well as the hostility of often stupid establishment figures, who want her out of the picture quite as passionately as the bad guys. She is, of course, aided by the protective journalist Blomqvist, despite the fact that she had dumped him as a lover. The Girl who Kicked the Hornet?s Nest brings together all the elements that have made the previous books of the sequence so successful. Its relentless pace may be a bit exhausting for some readers, but most will be happy to strap themselves in for the ride. It's just a shame that this will be the final book in the sequence (though conspiracy theorists are hinting that Larsson began another manuscript before his untimely death?) --Barry Forshaw
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