Gilles Deleuze: Cinema and Philosophy (Parallax: Re-visions of Culture and Society)

Marrati, Paola

Editorial: Johns Hopkins University Press
ISBN 10: 1421407914 / ISBN 13: 9781421407913
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1421407914 Crisp, clean, unread paperback with light shelfwear to the covers and a publisher's mark to one edge - Nice!. N° de ref. de la librería

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Valoración del libro brindada por Goodreads:
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Sinopsis:

In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and André Bazin's film theory? What does it tell us about perceiving a world in images—indeed about our relation to the world?

These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life.

From the Back Cover:

Outstanding Academic Title, Choice Magazine

In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? What does it tell us about perceiving a world in images—indeed about our relation to the world? These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film.

"Marrati's slender but incisive treatment of Deleuze's unification of philosophy with the art of cinema is an indispensable work for new and advanced Deleuze scholars grappling with the thick weave of film analyses cum philosophical expositions... Essential."— Choice

"A surprising, rewarding, and insightful text that breaks new ground, Cinema and Philosophy does a great service: it helps us believe in a 'new' and compelling future for Deleuzian studies of film and philosophy."— MLN

"Readers looking for an introduction to Deleuze's work on cinema will find it in Marrati's evident commitment to precision and her remarkable clarity in the face of a series of notoriously complex texts."— Scope

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Detalles bibliográficos

Título: Gilles Deleuze: Cinema and Philosophy (...
Editorial: Johns Hopkins University Press
Encuadernación: PAPERBACK
Condición del libro: Very Good

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Descripción JOHNS HOPKINS UNIVERSITY PRESS, United States, 2012. Paperback. Estado de conservación: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****.In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson s thought and Andre Bazin s film theory? What does it tell us about perceiving a world in images-indeed about our relation to the world? These are the central questions addressed in Paola Marrati s powerful and clear elucidation of Deleuze s philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life. Nº de ref. de la librería AAV9781421407913

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Descripción JOHNS HOPKINS UNIVERSITY PRESS, United States, 2012. Paperback. Estado de conservación: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****. In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson s thought and Andre Bazin s film theory? What does it tell us about perceiving a world in images-indeed about our relation to the world?These are the central questions addressed in Paola Marrati s powerful and clear elucidation of Deleuze s philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life. Nº de ref. de la librería AAV9781421407913

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