Imagen del editor
SIGNED BY PENELOPE FITZERGALD ON THE TITLE PAGE. Otherwise without inscription in not price clipped dust jacket, which has the slightest of wear on front folding flaps at top and bottom of spine but which is now protected by a removable transparent wrapper. N° de ref. de la librería ABE-15421794286
Sinopsis: Set in a Cambridge college in 1911, this novel, shortlisted for the Booker Prize 1990, revolves around the disadvantages of thinking and the mistakes made by scientists. Other works by the author include "The Beginning of Spring", "The Bookshop" and the 1979 Booker Prize winner "Offshore".
Review: Penelope Fitzgerald wanted to call her 1990 novel Mistakes Made by Scientists. On the other hand, she laughingly likened it to a Harlequin doctor-nurse romance. The truth about The Gate of Angels is somewhere in between. The doctor, Fred Fairly, is indeed a young Cambridge scientist, and the nurse, Daisy Saunders, has been ejected from a London hospital. If Fred is to win her love, he must make an appropriately melodramatic sacrifice--leaving the academic sanctum of St. Angelicus, a college where all females, even pussycats, are banished ("though the starlings couldn't altogether be regulated").
Daisy, however, suffers from a very non-Harlequin malady, the sort found only in Fitzgerald: "All her life she had been at a great disadvantage in finding it so much more easy to give than to take. Hating to see anyone in want, she would part without a thought with money or possessions, but she could accept only with the caution of a half-tamed animal." Self-protection is certainly not this young woman's strong suit, but we admire her endurance. At one moment, Fred points out that "women like to live on their imagination." Daisy's response? "It's all they can afford, most of them."
Set in Cambridge and London in 1912, The Gate of Angels, then, is a love story and a novel of ideas. Fred, a rector's son, has abandoned religion for observable truths, whereas the undereducated Daisy is a Christian for whom the truth is entirely relative. The novel's strengths lie in what we have come to expect from Fitzgerald: a blend of the hilarious, the out-of-kilter, and the intellectually and emotionally provocative. She confronts her characters with chaos (theoretical and magical), women's suffrage, and seemingly impossible choices, and we can by no means be assured of a happy outcome. "They looked at each other in despair, and now there seemed to be another law or regulation by which they were obliged to say to each other what they did not mean and to attack what they wished to defend."
Fitzgerald's novel also records the onslaught of the modern on traditions and beliefs it will fail to obliterate entirely: women as second-class citizens and a class-ridden society in which the poor suffer deep financial and moral humiliation. The author sees the present pleasures--Cambridge jousts in which debaters must argue not what they believe but its exact opposite--and is often charmed by them. But under the light surface, she proffers an elegant meditation on body and soul, science and imagination, choice and chance. Her characters, as ever, are originals, and even the minor players are memorable: one of Fred's fellows, the deeply incompetent Skippey, is "loved for his anxiety," because he makes others feel comparatively calm.
Fitzgerald fills all of her period novels with odd, charming, and disturbing facts and descriptions. Some, like the catalog of killing medicines Daisy administers, are strictly researched and wittily conveyed: "Over-prescriptions brought drama to the patients' tedious day. Too much antimony made them faint, too much quinine caused buzzing in the ears, too much salicylic acid brought on delirium..." Others are the product of microscopic observation, that is, imagination. Fred's family home is in hyperfertile Blow Halt, a place where no one thinks to buy vegetables, so free are they for the taking. But within this paradise, his mother and sisters are sewing banners for women's suffrage, and nature launches a quiet threat: "Twigs snapped and dropped from above, sticky threads drifted across from nowhere, there seemed to be something like an assassination, on a small scale, taking place in the tranquil heart of summer." --Kerry Fried
Título: The Gate of Angels
Editorial: Collins Publishers Ltd
Año de publicación: 1990
Condición del libro: Fine
Condición de la sobrecubierta: Near Fine
Ejemplar firmado: Signed by Author(s)
Edición: 1st Edition
Descripción Collins, UK, 1990. Hardcover. Estado de conservación: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Collins 1990. Booker prize shortlisted, signed by author to title page. Slight hint of shelfwear otherwise Fine in Near Fine unclipped dustjacket with minimal chipping to bottom of spine and corners of foldovers. A beautifully vibrant, tight clean copy which appears to be unread. Protective wrap. Signed by Author(s). Nº de ref. de la librería 000044
Descripción Collins, 1990. Hard Cover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Undamaged black boards and spine, the latter lettered in gilt. Unclipped jacket is undamaged save for an almost imperceptable 2cm indentation in laminate at front. Internally pristine save for author's inscription on title page. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author. Nº de ref. de la librería 003624
Descripción Collins, London, 1990. Hard Cover. Estado de conservación: Fine. Estado de la sobrecubierta: Fine. 1st UK Edition/1st Printing. SIGNED by author on title page (signature only). Price present, in UK Pounds, on DJ flap; mylar protected. Relatively scarce signature from Booker Prize winning author. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author. Nº de ref. de la librería 025458
Descripción Collins, 1990. Hardcover. Estado de conservación: Near Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first impression, signed and dated (at publication - August 1990) to the title page by Penelope Fitzgerald. Near Fine+: tight and square binding in sharp black cloth; bright gilt; very crisp and clean, Fine but for some tiny/faint spotting to the top-edge of the page block. The unclipped dustwrapper is Fine: bright and vibrant with a few minor wrinkles to the spine tips; presented in a removable, archival-quality Brodart cover. All orders are sent very carefully wrapped in bubble wrap and sturdy cardboard. Signed by Author(s). Nº de ref. de la librería A204