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Enduring Love-SIGNED FIRST IMPRESSION

McEwan, Ian

30.835 valoraciones por Goodreads
ISBN 10: 0224050311 / ISBN 13: 9780224050319
Editorial: Cape, London, 1997
Condición: Fine Encuadernación de tapa dura
Librería: Signature Firsts (Brecon, Reino Unido)

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Descripción

Fine first printing in near fine dustwrapper. The book is square, clean and tight. One spot of foxing to lower section of fore edge.The dustwrapper is complete but with one closed tear to the top corner of the front panel. ( about 15mm). Seems a crisp and unread copy but the book is 18 years old. Signed by the author to the title page, without inscription. As a keen collector myself I make every effort to provide a high level of service. Enquiries welcomed. N° de ref. de la librería 005767

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Detalles bibliográficos

Título: Enduring Love-SIGNED FIRST IMPRESSION

Editorial: Cape, London

Año de publicación: 1997

Encuadernación: Hardback

Condición del libro:Fine

Condición de la sobrecubierta: Near Fine

Ejemplar firmado: Signed by Author

Edición: First Edition.

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Sinopsis:

The calm, organized life of science writer Joe Rose is shattered when he sees a man die in a freak hot-air balloon accident. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety, but unknown to Rose, something passes between Parry and himself on that day—something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, and drive him to the brink of murder and madness. From the Booker Prize-winning author of Atonement, here is a brilliant and compassionate novel of love, faith, and suspense, and of how life can change in an instant.

Review:

Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them with an uneasy combination of shame, happiness, and endless self-reproach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only the wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.

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