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Design Classics: 1880-1930

Brohan, Torsten; Thomas Berg

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ISBN 10: 3822868760 / ISBN 13: 9783822868768
Editorial: Taschen, Cologne, 2001
Usado Condición: Near Fine Encuadernación de tapa dura
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Arundel Books
Seattle, WA, Estados Unidos de America

Valoración 4 estrellas

Librería en AbeBooks desde: 17 de abril de 1997


Cologne: Taschen. 2001. F First Edition. H Hardcover. Near Fine. 192 pages. Text in English, German, and French. This publication outlines the pioneer years of modern design history, tracing the development of the classic avantgarde design from 1880 to 1930 and showing 200 originals which have passed through the hands of Düsseldorf-based art dealer and collector Torsten Bröhan. N° de ref. de la librería L073523

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Detalles bibliográficos

Título: Design Classics: 1880-1930

Editorial: Taschen, Cologne

Año de publicación: 2001

Encuadernación: H Hardcover

Ilustrador: Color Photographs

Condición del libro: Near Fine

Condición de la sobrecubierta: J Near Fine

Edición: F First Edition.

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This work illustrates the earliest pioneers of 20th-century design, who devoted their time to creating what is now known as "Avantgarde design". It covers over 200 original pieces from the collection of Dusseldorf art dealer and collector Torsten Brohan.

About the Author:

Torsten Bröhan (*1948 in Hamburg) studied art history and business management in Berlin. After serving as instructor at the Technical University in Berlin and gaining practical experience in marketing and advertising, he established himself as an independent art dealer in 1983. Together with the DG Bank Luxembourg, he founded the first art-oriented mutual fund, a number of whose holdings are invested in the area of classic design. In 2000, he founded broehanDESIGN Inc., a New York-based Internet company whose goal is to create a virtual museum of design. Torsten Bröhan is respected as one of the leading specialists in the fields of design and commercial art of the 20th century.

Thomas Berg (*1965 in Bonn) studied art history in Bonn. After receiving his MA in 1992 with a thesis on the gold- and silversmith Theodor Wende, he became an independent art dealer and antiquarian in the field of 20th-century design and commercial art. In addition, he pursues research in the area of design history and has contributed to a number of publications on both the design and commercial art of the 20th century.

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