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Debussy and the Fragment

Linda K. Cummins

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ISBN 10: 9042020652 / ISBN 13: 9789042020658
Editorial: Editions Rodopi B.V., 2006
Nuevos Condición: Neuf Encuadernación de tapa blanda
Librería: Librairie de Boccard (Paris, Francia)

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Descripción

Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within a tradition thriving on anti-Aristotelian principles: motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences of memory and experience and with a keen ear for ironic intrusion, Cummins draws the reader into the Western cultural past in search of the surprisingly ubiquitous aesthetic of the unfinished, negatively silhouetted against expectations of rational coherence. Theories popularized by Schlegel and embraced by the French Symbolists are only the first waypoint on an elaborately illustrated tour reaching back to Petrarch. Cummins meticulously applies the derived results to Debussy's scores and finds convincing correlations in this chiasmatic crossover. N° de ref. de la librería 19955

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Detalles bibliográficos

Título: Debussy and the Fragment

Editorial: Editions Rodopi B.V.

Año de publicación: 2006

Encuadernación: Couverture souple

Condición del libro: Neuf

Edición: Edition originale

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Reseña del editor:

Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within a tradition thriving on anti-Aristotelian principles: motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences of memory and experience and with a keen ear for ironic intrusion, Cummins draws the reader into the Western cultural past in search of the surprisingly ubiquitous aesthetic of the unfinished, negatively silhouetted against expectations of rational coherence. Theories popularized by Schlegel and embraced by the French Symbolists are only the first waypoint on an elaborately illustrated tour reaching back to Petrarch. Cummins meticulously applies the derived results to Debussy's scores and finds convincing correlations in this chiasmatic crossover.

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Editions de Boccard has been a leader in the publication and distribution of scholarly books for more than a century. It carries the publishing reputation of the Académie des inscriptions et belles-lettres, the Ecole française of Rome and the Ecole française of Athens, the Collège de France, French archaeological missions in Central Asia and elsewhere, the Centre d'études alexandrines, UMR and USR under the supervision of the CNRS, and some of the most prestigious university presses. Since 2013, Editions de Boccard has also been representing the Librairie Droz, the Société de l'histoire de France, the Casa editrice Leo S. Olschki and the Léopard d'Or. More recently, the Presses universitaires de Liège, the Editions de linguistique et de philologie, the Société de l'histoire de l'art français, the Cahiers de Saint-Michel de Cuxa, Gerlach Press and Gangemi Editore have joined their distribution. The works published and distributed by Boccard cover such complementary fields as history, archaeology, the history of law, literary history, philology, paleography, epigraphy, sigillography, numismatics, ceramology, topography, prosopography, and bibliography. Publishing and distributing approximately three hundred new titles each year, Boccard now possesses a general catalog of some 17,000 titles published between the 1860s and the present.

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