Imagen del editor

The Compleat Conductor

Schuller, Gunther

23 valoraciones por Goodreads
ISBN 10: 0195063775 / ISBN 13: 9780195063776
Editorial: Oxford University Press, 1997
Usado Condición: Used: Very Good Encuadernación de tapa dura
Librería: Birkitt's Books (SARASOTA, FL, Estados Unidos de America)

Librería en AbeBooks desde: 13 de enero de 2005

Cantidad: 1

Comprar usado
Precio: EUR 19,73 Convertir moneda
Gastos de envío: EUR 3,13 A Estados Unidos de America Destinos, gastos y plazos de envío
Añadir al carrito

Descripción

Jacket is slightly rubbed and edgworn, binding sound, internally clean. N° de ref. de la librería 160101005

Hacer una pregunta a la librería

Detalles bibliográficos

Título: The Compleat Conductor

Editorial: Oxford University Press

Año de publicación: 1997

Encuadernación: Hardcover

Condición del libro:Used: Very Good

Condición de la sobrecubierta: Very Good

Acerca de

Sinopsis:

A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions.
Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art.
Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.

Review:

What makes for a "compleat" conductor? According to Gunther Schuller, it is a combination of fidelity to the score and going "for the grand line ... the clarification of the inherent structure(s)." Schuller, himself a conductor, has written The Compleat Conductor as a kind of report card on many of this century's foremost practitioners of the art. Using scores from Beethoven, Brahms, Schumann, Tchaikovsky, Strauss, and Ravel as his final exam, Schuller measures the work of the world's great conductors--everyone from Toscanini to John Eliot Gardiner--against what's printed on the page, and he finds most wanting in comparison.

The Compleat Conductor is partly an indictment of the failings of other conductors, partly Schuller's reflections on music, performance, and the authority of the score versus the authority of the conductor. Many of Schuller's pronouncements are sure to arouse controversy, but even for music lovers who disagree with his grading system, there's plenty of food for thought in The Compleat Conductor.

"Sobre este título" puede pertenecer a otra edición de este libro.

Descripción de la librería

Ver la página web de la librería

Condiciones de venta:

Returns are accepted within 30 days of purchase if the book is returned to us in
the same condition in which it was sent. If there is an error in book listing, a
full refund will be issued, including cost of postage. Returns for any other
reason will recieve a refund for the book cost only.

Contact information:

Joanna Birkitt
4313 Arrow Circle
Sarasota, FL 34232
jbirkitt1@aol.com

Condiciones de envío:

Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required.

Todos los libros de esta librería

Métodos de pago
aceptados por la librería

Visa Mastercard American Express Carte Bleue

Cheque Giro Postal PayPal