Imagen de la librería
Título: City of Salt
Editorial: Aperture, New York, NY
Condición del libro: New
Edición: 1st Edition
City of Salt Aperture Hard Bound in Slip Case Panoramic photographs of fantastical landscapes make a bizarre Baedeker to alternative realities in City of Salt, by Nicholas Kahn and Richard Selesnick. The second volume, after Scotlandfuturebog, in an intended trilogy of such otherworldly guides juxtaposes those scenes with similarly inspired texts: Sufi tales, the writings of fabulist Italo Calvino, and parables by the artists themselves. The strange deserts, marshes, sandy shores, villages, and fields are often traversed by wandering figures, frequently in peril or precariously alone. Kahn and Selesnick's process combines sculptural and photographic media. The artists first construct the intricately detailed worlds in three-dimensional miniatures and dioramas, then digitally photograph the scene and populate it with characters in allegorical, though intriguingly puzzling, tableaux. Essays by Erez Lieberman and Sarah Falkner. Hardcover, 17.25 x 8.75 in./96 pgs / 40 color. N° de ref. de la librería 2071
Sinopsis: City of Salt is the second volume - following Scotlandfuturebog (2002) - in an extraordinary trilogy by Nicholas Kahn and Richard Selesnick. The two have been collaborating for over a decade to create evocative, multilayered fictions. They start by conceiving an alternative reality, then construct finely detailed three-dimensional miniatures and dioramas to give it physical form. Using digital photography, they position elaborately costumed actors within this imaginary world, creating complex and often allegorical tableaux. In City of Salt, their stunning panoramic photographs are juxtaposed with compelling narratives inspired by traditional Sufi tales, the writings of Italo Calvino, and the artists' own existentialist parables. Divided into five chapters - Book of Sand, Book of Fur, Book of Musk, Book of Tea, and Book of Salt - the book explores an illusory desert land and chronicles the experiences of its diverse inhabitants. Poetic and perplexing, the staged scenes conjure up a mythical Middle Eastern civilization, set in an indeterminate past somewhere between pre-urban and postcolonial.Originally conceived in the late 1990s, the project took on darker hues following the events of September 11.
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