Burnt Shadows-SIGNED, LOCATED & DATED FIRST PRINTING
Librería en AbeBooks desde: 16 de septiembre de 2009Cantidad: 1
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Librería en AbeBooks desde: 16 de septiembre de 2009Cantidad: 1
Título: Burnt Shadows-SIGNED, LOCATED & DATED FIRST ...
Año de publicación: 2009
Condición del libro:Fine
Condición de la sobrecubierta: Fine
Ejemplar firmado: Signed by Author
Edición: First Edition.
Hiroko steps out onto the veranda. Her body from neck down a silk column, white with three black cranes swooping across her back. She looks out towards the mountains, and everything is more beautiful to her than it was early this morning. Nagasaki is more beautiful to her than ever before. She turns her head and sees the spires of Urakami Cathedral, which Konrad is looking up at when he notices a gap open between the clouds. Sunlight streams through, pushing the clouds apart even further.
And then the world goes white.
—From Burnt Shadows by Kamila Shamsie
The morning of August 9, 1945 breaks dreary and unspectacular in the city of Nagasaki. Nonetheless, twenty-one year-old Hiroko Tanaka is elated: she is in love. Her emerging romance with the displaced German Konrad Weiss offers release from the greyness of wartime deprivation. In this time of heightened xenophobia, their affair must be kept secret, particularly as Hiroko’s father has recently been outcast for questioning the patriotism of sending children on kamikaze missions. As Hiroko and Konrad furtively plan for a future after the war, there is no way they can comprehend the unspeakable devastation bearing down upon them.
Two years later, Hiroko arrives in Delhi at the home of Konrad’s sister Ilse and his brother-in-law James Burton. Upon Hiroko’s back are crane-shaped scars, seared into her skin when her kimono was incinerated by the bomb. She is on the run from unbearable memories, as well as from the stigma of being branded a hibakusha, a survivor of the bomb. Ilse, in an uncharacteristically impulsive move, welcomes Hiroko into her home, seeing in the brave young woman a possibility of release from her own conscripted existence. Hiroko quickly destabilizes the frigid hierarchy of the household, much to the relief of Sajjad Ashraf, James’s bored servant.
Tensions are running high in the Mohalla with the looming partition of India and Pakistan. Will Sajjad remain in his beloved Dilli/Delhi, or depart with so many others for the promise of Pakistan? Sajjad’s family has secured for him a wife, and he yearns for a legal career, still half-clinging to the hope that James will assist him. But James’s only use for him is as a chess opponent, an idle distraction as the Raj winds to a close. The Burtons are preparing to decamp for England, having already dispatched their son Harry to boarding school. But what James does not know is that Ilse is making other plans.
A romance blooms between Hiroko and Sajjad, much to the incredulity of the Burtons, whose own emotional lives have become entwined in the futures of their charismatic young charges. Despite outbursts of jealousies and a terrible act of betrayal, the Burtons nevertheless assist Hiroko and Sajjad in their flight to married life in Istanbul. Later the Ashrafs will move to Karachi to raise their son, Raza.
The lives of the Ashrafs and the Burtons will remain entwined for decades, though in ways they cannot anticipate. Across continents and through geopolitical flux, each family will continue to act as a catalytic force upon the other, sometimes in life-saving ways, and sometimes causing great peril. Why is it that some bonds flourish in times of crisis, and why do some fail? What defines the character that survives the cruelest of circumstances? And how is it that entire populations can support unspeakable acts en masse, while relating as individuals with compassion?
Longlisted for the prestigious Orange Prize for Fiction, Kamila Shamsie’s Burnt Shadows is an enthralling meta-cultural epic, the panoramic tale of two families tangled together in some of the most devastating conflicts of modern history.
Kamila Shamsie was born in 1973 in Karachi, where she grew up. She has a BA in Creative Writing from Hamilton College in Clinton, NY and an MFA from the University of Massachusetts, Amherst. While at the University of Massachusetts she wrote In The City By The Sea, published by Granta Books UK in 1998. This first novel was shortlisted for the John Llewelyn Rhys Award in the UK, and Shamsie received the Prime Minister's Award for Literature in Pakistan in 1999. Her 2000 novel Salt and Saffron led to Shamsie’s selection as one of Orange's “21 Writers of the 21st Century.” With her third novel, Kartography, Shamsie was again shortlisted for the John Llewelyn Rhys award in the UK. Both Kartography and her next novel, Broken Verses, won the Patras Bokhari Award from the Academy of Letters in Pakistan. Burnt Shadows, Shamsie’s fifth novel, has been longlisted for the Orange Prize for Fiction. Her books have been translated into a number of languages.
Shamsie is the daughter of literary critic and writer Muneeza Shamsie, the niece of celebrated Indian novelist Attia Hosain, and the granddaughter of the memoirist Begum Jahanara Habibullah. A reviewer and columnist, primarily for the Guardian, Shamsie has been a judge for several literary awards including The Orange Award for New Writing and The Guardian First Book Award. She also sits on the advisory board of the Index on Censorship.
For years Shamsie spent equal amounts of time in London and Karachi, while also occasionally teaching creative writing at Hamilton College in New York State. She now lives primarily in London.
Of the themes in Burnt Shadows, Shamsie says, “There are a number of interconnected ideas in the book that are of interest to me but I suppose if I had to pin it down I'd say I'm exploring what happens at different intersections of personal lives and the force of history — how do people survive living through cataclysmic events? How do relationships survive it? Why is it that some relationships do survive and others don't?”
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