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Blind Assassin

Atwood, Margaret

ISBN 10: 0747549370 / ISBN 13: 9780747549376
Editorial: Bloomsbury Pub Ltd. London., 2000
Condición: Near Fine Encuadernación de tapa dura
Librería: Limestone Books (Austin, TX, Estados Unidos de America)

Librería en AbeBooks desde: 22 de diciembre de 1998

Cantidad: 1

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Descripción

NF/NF. First British edition, first printing. PC. Signed by author on title page. Winner of the Booker Prize in 2000. 521 pp. N° de ref. de la librería 15397

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Detalles bibliográficos

Título: Blind Assassin

Editorial: Bloomsbury Pub Ltd. London.

Año de publicación: 2000

Encuadernación: Hardcover

Condición del libro:Near Fine

Condición de la sobrecubierta: Near Fine

Ejemplar firmado: Signed by Author(s)

Edición: 1st Edition

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Sinopsis:

'Ten days after the war ended, my sister Laura drove a car off a bridge.' Thus begins The Blind Assassin, Margaret Atwood's new novel. Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While bewailing her unreliable body and deriding those who try to help her, Iris reflects on her far from exemplary life and her perilous times, but in particular on the events surrounding her sister's tragic early death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase a dollop of notoriety as well as a cult following: as Iris says, she herself lives 'in the long shadow cast by Laura'. Sexually explicit for its time and place, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a left-leaning man on the run.

Review:

The Blind Assassin is a tale of two sisters, one of whom dies under ambiguous circumstances in the opening pages. The survivor, Iris Chase Griffen, initially seems a little cold-blooded about this death in the family. But as Margaret Atwood's most ambitious work unfolds--a tricky process, in fact, with several nested narratives and even an entire novel-within-a-novel--we're reminded of just how complicated the familial game of hide-and-seek can be:

What had she been thinking of as the car sailed off the bridge, then hung suspended in the afternoon sunlight, glinting like a dragonfly, for that one instant of held breath before the plummet? Of Alex, of Richard, of bad faith, of our father and his wreckage; of God, perhaps, and her fatal, triangular bargain.
Meanwhile, Atwood immediately launches into an excerpt from Laura Chase's novel, The Blind Assassin, posthumously published in 1947. In this double-decker concoction, a wealthy woman dabbles in blue-collar passion, even as her lover regales her with a series of science-fictional parables. Complicated? You bet. But the author puts all this variegation to good use, taking expert measure of our capacity for self-delusion and complicity, not to mention desolation. Almost everybody in her sprawling narrative manages to--or prefers to--overlook what's in plain sight. And memory isn't much of a salve either, as Iris points out: "Nothing is more difficult than to understand the dead, I've found; but nothing is more dangerous than to ignore them." Yet Atwood never succumbs to postmodern cynicism, or modish contempt for her characters. On the contrary, she's capable of great tenderness, and as we immerse ourselves in Iris's spliced-in memoir, it's clear that this buttoned-up socialite has been anything but blind to the chaos surrounding her. --Darya Silver

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