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Better Left Unsaid: Victorian Novels, Hays Code Films, and the Benefits of Censorship (Hardcover)

Nora Gilbert

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ISBN 10: 0804784205 / ISBN 13: 9780804784207
Nuevos Condición: New Encuadernación de tapa dura
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Descripción

Hardcover. Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally pres.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 181 pages. 0.363. N° de ref. de la librería 9780804784207

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Detalles bibliográficos

Título: Better Left Unsaid: Victorian Novels, Hays ...

Año de publicación: 2013

Encuadernación: Hardcover

Condición del libro:New

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Sinopsis:

Book by Gilbert Nora

Críticas:

"Gilbert's book is a work of many charms and considerable significance, demonstrating a sure understanding of the productive side of censorship, and providing a persuasive demonstration that Victorian novels and Hollywood films belong in the same conversation." -- Ned Schantz * McGill University * "Turning the tables on inherited notions of oppression and freedom, Nora Gilbert shows how writers and filmmakers worked within frames of control that in their collusion the market economy and public opinion had drawn around them. Through her meticulous comparisons of Victorian novels and Hays Code Hollywood, Gilbert studies visual and verbal slippage, inference, irony and, no less, the pleasure of perversion. Informative and a delight to read, Better Left Unsaid sparkles with wit and invention." -- Tom Conley * Harvard University * "An engaging, consistently shrewd, and bracingly irreverent study of how the Victorian novel and classical Hollywood film devised ingenious and morally productive strategies to evade the constraints intended to control them." -- Maria DiBattista * Princeton University * "Gilbert makes her case persuasively and elegantly. To use a term central to her discussion, her sophisticated analysis not only draws on a range of theoretical contexts and discourses, but offers much of value to readers from a range of disciplines and backgrounds, from film and cultural studies to law. Most valuably, Gilbert challenges us to rethink censorship as an artistic method that (as Woolf says of Austen) 'stimulates us to supply what is not there'. Arguments against censorship tend to treat provocation or offensiveness as the price we pay for freedom of expression; yet as Gilbert shows, complete freedom of artistic expression may also lead to banality or a peculiarly literal-minded discourse. To leave things unsaid is to stimulate further discussion and questioning, something Gilbert adeptly achieves here." -- Christopher Pittard * New Books on Literature 19 * "Gilbert's book discusses the censorship and restraint to which Victorian novels and American films from the 1930s through the 1950s were subject . . . The book is extensively researched and written in a graceful style . . . Recommended." -- T. Hoagwood * CHOICE * "Rarely has a book of film scholarship so directly challenged conventional interpretations . . . Gilbert makes a powerful contribution by showing how censorship and creativity coexisted-and at times, though certainly not always, reinforced each other. She has written one of the gutsiest recent books in film history, and one that cannot be ignored." -- Clayton Koppes "It's a fascinating premise that Gilbert presents with insightful scholarship, some sharply startlng insights and a lucid, engaging writing style. Indeed, hers is that rare scholarly book that's also quite entertaining to read." -- Dennis King

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