** NEAR FINE-TO-FINE CONDITION ** OVER-SIZED SOFTCOVER ** CLEAN, STAIN-FREE, UNMARKED ** NOT A LIBRARY BOOK ** SPINE UNCREASED AND UNBROKEN ** Published by the Harvard University Press. Contains numerous examples of musical notation and scores. Previous owner's name written neatly at top of blank front page, some very slight signs of use along the front and rear fore-edges of the cover, but there are no other notable flaws or defects, book otherwise looks brand new. It is exceptionally clean and stain-free, square and straight, quite firm and tight in its binding, no pages are loose, missing, folded, or torn. The hinges are sound and undamaged. All pages are clean and stain-free, bright and white and all text is sharp and legible. There is no writing, underlining, highlighting, or other such markings in the book. The cover has no tears or pieces missing. Buy with confidence, professional booksellers for 35 years, selling online since 1995. B34.

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Detalles bibliogr�ficos

T�tulo

Bach's Continuo Group : Players and Practice in His Vocal Works ( Studies in the History of Music )

Editor

Harvard University Press

Fecha de publicaci�n

1990

Idioma

Ingl�s

ISBN 10

067406030X

ISBN 13

9780674060302

Encuadernaci�n

Soft cover

Estado

Fine

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Sinopsis

When Bach’s cantatas, masses, passions, and chorales were originally performed under the composer’s direction, which instruments played the basso continuo, the line that establishes the harmonic framework? Bach’s Continuo Group answers this and other fundamental questions and probes the rationale behind Baroque performance conventions.

Acerca del autor

Laurence Dreyfus is Professor Emeritus of Music at the University of Oxford and an Emeritus Fellow of Magdalen College.

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Descripci�n de la librer�a

A general stock of used and rare books. We've been in the book business since 1994, and we've been selling books online since 1995.

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