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THE BONE CLOCKS - signed

Mitchell David

78.196 valoraciones por Goodreads
ISBN 10: 0340921609 / ISBN 13: 9780340921609
Editorial: Sceptre, 2014
Encuadernación de tapa dura
Librería: Fantastic Literature Limited (Rayleigh, ESSEX, Reino Unido)

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fine hardcover copy in a fine dustwrapper 1st edition. SIGNED. One drowsy summer's day in 1984, teenage runaway Holly Sykes encounters a strange woman who offers a small kindness in exchange for 'asylum'. N° de ref. de la librería FF17.106

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Detalles bibliográficos

Título: THE BONE CLOCKS - signed

Editorial: Sceptre

Año de publicación: 2014

Encuadernación: Hardback

Condición de la sobrecubierta: Dust Jacket Included

Ejemplar firmado: Signed by Author(s)

Edición: 1st Edition

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Another exacting, challenging and deeply rewarding novel from logophile and time-travel master Mitchell . . . If Thatcher's 1984 is bleak, then get a load of what awaits us in 2030. Speculative, lyrical and unrelentingly dark - trademark Mitchell, in other words. * Kirkus Reviews * Is The Bone Clocks the most ambitious novel ever written, or just the most Mitchell-esque? . . . From gritty realism to far-out fantasy, each section has its own charm and surprises. With its wayward thoughts, chance meetings, and attention to detail, Mitchell's novel is a thing of beauty. * Publishers Weekly * One of the most entertaining and thrilling novels I've read in a long time. Much of the entertainment comes from Mitchell's mastery over what feels like the entire world and all its inhabitants. Time keeps pulsing ahead in The Bone Clocks, and Mitchell pushes his cast of characters into the future, ending the book in a terrifying world. But for all the dystopia, and the mysticism, and the wild and clanging noise, and the flights of invention that have taken place in this extraordinary fun house of a novel, Mitchell's novel-writing rules allow him to retain his great sensitivity toward his main character from start to finish. * NPR * Mitchell's new novel almost manages to make the rest of his work look hidebound and provincial . . . Mitchell is writing about a mortal among immortals, and he never abandons the human half of the story: the fell swoop of first love, the labyrinth of silence where unhappy couples live, the clear cut inside a parent when a child goes missing, the chasm between frontline and home front in a nation at war . . . I was undone by the ending * New York Magazine * [The Bone Clocks] has finally descended incarnate from the mind of this divinely inventive author . . . This new novel offers up a rich selection of domestic realism, gothic fantasy and apocalyptic speculation, stretching around the world from the Margaret Thatcher era of the 1980s to the Endarkenment of 2043 . . . Some of these narrators are moving and sympathetic; others radiate the metastasizing creepiness of a Patricia Highsmith villain. Their stories evolve in subtly distinctive tones and forms * Washington Post * With The Bone Clocks, Mitchell rises to meet and match the legacy of Cloud Atlas . . . interconnected lives stretch across time; human contact is both frightening and vital. This novel electrifyingly unites Mitchell's fictions into one universe while telling the story of Holly Sykes, an ordinary young woman whose chance encounters give her life meaning. * LA Times * Dazzling . . . Mitchell's heavy arsenal of talents is showcased in these pages: his symphonic imagination; his ventriloquist's ability to channel the voices of myriad characters from different time zones and cultures; his intuitive understanding of children and knack for capturing their solemnity and humor; and his ear for language - its rhythms, sounds and inflections. -- Michiko Kakutani * New York Times * If David Mitchell isn't the most talented novelist of his generation, is there any doubt that he is the most multi-talented? He is, at his best, a superior writer to Jonathan Franzen, a better storyteller than Michael Chabon, more wickedly clever than Jennifer Egan, nearly as fluent as Junot Diaz in multiple dialects, and as gifted as Alice Munro . . . [The Bone Clocks] offers everything you could possibly want from a conjurer at the height of his powers - a ludicrously ambitious, unstoppably clever epic told through a chorus of diverse narrators that is both outrageous in scope and meticulous in execution . . . The Bone Clocks affords its readers the singular gift of reading - the wish to stay put and to be nowhere else but here. * The Atlantic * Our most accomplished inventor of multitudinous worlds, which are filled with complex, vital people . . . The Bone Clocks features a gyre-works inventiveness that's well matched by (bizarrely) cerebral substance . . . his most sinewy, fine and full book to date, a Mobius strip-tripping great novel that will reward bleary-eyed rereading -- Randy Boyagoda * Financial Times * No one, clearly, has ever told Mitchell that the novel is dead. He writes with a furious intensity and slapped-awake vitality, with a delight in language and all the rabbit holes of experience . . . Very few [writers] excite the reader about both the visceral world and the visionary one as Mitchell does * New York Times Book Review * Mitchell is a consummate craftsman . . . For sci-fi fantasists, the imaginary world Mitchell creates might be a thing of wonder, a Dungeons and Dragons for literate grown-ups. For others, I suspect the flesh and blood anguish of a long life lived well against the odds will prove the greater pleasure. * Independent * It's massively bold and ambitious, but also thoroughly readable, funny and moving. * Heat * At once a gripping thriller and a far-out fantasy, a brilliant mash-up that pulsates with energy, satire and wit. * Tatler * Mitchell's mesmerizing saga is evidence of the power of story to transport us, and even to stop time entirely. * Vanity Fair * I was completely blown away . . . Mitchell's first-class imagination delivers a complex and exciting premise that transcends into an incredibly explosive, surprising, intelligent, dark and magical story. * Stylist * Intellectually rigorous and stunningly imaginative . . . a rich and dense, inventive and witty thriller which, if you enjoyed Cloud Atlas and Mitchell's other works will leave you completely spellbound * Daily Express * With 600 pages of metafictional shenanigans in relentlessly brilliant prose, The Bone Clocks hits lots of hot buttons, from the horrors of the Iraq war to the Eternal Battle of Good and Evil to the near-future downfall of our civilisation . . . Death is at the heart of this novel. And there lies its depth and darkness, bravely concealed with all the wit and sleight of hand and ventriloquistic verbiage and tale-telling bravura of which Mitchell is a master . . . It's a whopper of a story. -- Ursula K Le Guin * Guardian * When a writer creates a world in which centuries-dead reincarnated souls are at war - and makes it entirely believable - you know you're in the hands of a master . . . Every page fizzes with energy and humour. Wildly imaginative and truly magical, this is a big, chunky feast of a book * Sunday Mirror * If I could file a review that consisted only of the word "wow" 900 times over, it still wouldn't quite capture my delirious response to David Mitchell's stunning, funny, sad, prophetic, fantastical, satirical, achingly real and gloriously fictitious new novel. * Scotsman * Mitchell has a vigorous, shape-shifting imagination, and his pen tracks his thoughts with extraordinary agility. Moving from place to place, time to time, he can summon up a setting in a line . . . for its experimentation, humour, hybrid energy, and sheer narrative pleasure, The Bone Clocks compels admiration. * Evening Standard * If only real life were as elegant and generally encouraging as a Mitchell novel! He writes with scintillating verve and abundance. The joyful, consoling world of Mitchell is the world of childhood, where the parameters between reality and fantasy are fluid; the overall effect is like literary regression therapy for adults who have been whipped and abused by real life. * Daily Telegraph * As his oeuvre develops, he seems to be getting cleverer, braver and delightfully madder . . . In the wrong hands, magical storytelling like this would make you cringe. But in Mitchell's it thrills. He is funny, hip and full of life. Which other writer could match his witty elision of fiction and science, of sense and nonsense? This beautiful explosion of adventurous ideas may well take him, finally, beyond the Booker shortlist. * The Times * Something truly fantastical: an epic in many voices featuring supernatural beings, rips in reality and a global battle between good and evil. Yet Mitchell's superlative prose makes this much more than a tall tale: the novel also takes in family love and loss, the wars in Afghanistan and Iraq and a horribly plausible near-future in which the end of oil is catapulting the world towards barbarism . . . It's a globe-trotting, mind-bending, hair-raising triumph, already sitting pretty on the Booker longlist. * Guardian * The overwhelming impression is of an author at the height of his powers precisely because of a deep and intuitive understanding and curiosity of what it is about to live a life as a human being. * Oxford Student * Our most accomplished inventor of multitudinous worlds, which are filled with complex, vital people . . . The Bone Clocks features a gyre-works inventiveness that's well matched by (bizarrely) cerebral substance . . . his most sinewy, fine and full book to date, a Mobius strip-tripping great novel that will reward bleary-eyed rereading -- Randy Boyagoda * Financial Times * It's massively bold and ambitious, but also thoroughly readable, funny and moving. * Heat * If I could file a review that consisted only of the word "wow" 900 times over, it still wouldn't quite capture my delirious response to David Mitchell's stunning, funny, sad, prophetic, fantastical, satirical, achingly real and gloriously fictitious new novel. * Scotsman * At once a gripping thriller and a far-out fantasy, a brilliant mash-up that pulsates with energy, satire and wit. * Tatler * I was completely blown away . . . Mitchell's first-class imagination delivers a complex and exciting premise that transcends into an incredibly explosive, surprising, intelligent, dark and magical story. * Stylist * With 600 pages of metafictional shenanigans in relentlessly brilliant prose, The Bone Clocks hits lots of hot buttons, from the horrors of the Iraq war to the Eternal Battle of Good and Evil to the near-future downfall of our civilisation . . . Death is at the heart of this novel. And there lies its depth and darkness, bravely concealed with all the wit and sleight of hand and ventriloquistic verbiage and tale-telling bravura of which Mitchell is a master . . . It's a whopper of a story. -- Ursula K Le Guin * Guardian * If David Mitchell isn't the most talented novelist of his generation, is there any doubt that he is the most multi-talented? He is, at his best, a superior writer to Jonathan Franzen, a better storyteller than Michael Chabon, more wickedly clever than Jennifer Egan, nearly as fluent as Junot Diaz in multiple dialects, and as gifted as Alice Munro . . . [The Bone Clocks] offers everything you could possibly want from a conjurer at the height of his powers - a ludicrously ambitious, unstoppably clever epic told through a chorus of diverse narrators that is both outrageous in scope and meticulous in execution . . . The Bone Clocks affords its readers the singular gift of reading - the wish to stay put and to be nowhere else but here. * The Atlantic * Another exacting, challenging and deeply rewarding novel from logophile and time-travel master Mitchell . . . If Thatcher's 1984 is bleak, then get a load of what awaits us in 2030. Speculative, lyrical and unrelentingly dark - trademark Mitchell, in other words. * Kirkus Reviews * Is The Bone Clocks the most ambitious novel ever written, or just the most Mitchell-esque? . . . From gritty realism to far-out fantasy, each section has its own charm and surprises. With its wayward thoughts, chance meetings, and attention to detail, Mitchell's novel is a thing of beauty. * Publishers Weekly * Mitchell's new novel almost manages to make the rest of his work look hidebound and provincial . . . Mitchell is writing about a mortal among immortals, and he never abandons the human half of the story: the fell swoop of first love, the labyrinth of silence where unhappy couples live, the clear cut inside a parent when a child goes missing, the chasm between frontline and home front in a nation at war . . . I was undone by the ending * New York Magazine * One of the most entertaining and thrilling novels I've read in a long time. Much of the entertainment comes from Mitchell's mastery over what feels like the entire world and all its inhabitants. Time keeps pulsing ahead in The Bone Clocks, and Mitchell pushes his cast of characters into the future, ending the book in a terrifying world. But for all the dystopia, and the mysticism, and the wild and clanging noise, and the flights of invention that have taken place in this extraordinary fun house of a novel, Mitchell's novel-writing rules allow him to retain his great sensitivity toward his main character from start to finish. * NPR * With The Bone Clocks, Mitchell rises to meet and match the legacy of Cloud Atlas . . . interconnected lives stretch across time; human contact is both frightening and vital. This novel electrifyingly unites Mitchell's fictions into one universe while telling the story of Holly Sykes, an ordinary young woman whose chance encounters give her life meaning. * LA Times * Mitchell is a consummate craftsman . . . For sci-fi fantasists, the imaginary world Mitchell creates might be a thing of wonder, a Dungeons and Dragons for literate grown-ups. For others, I suspect the flesh and blood anguish of a long life lived well against the odds will prove the greater pleasure. * Independent * [The Bone Clocks] has finally descended incarnate from the mind of this divinely inventive author . . . This new novel offers up a rich selection of domestic realism, gothic fantasy and apocalyptic speculation, stretching around the world from the Margaret Thatcher era of the 1980s to the Endarkenment of 2043 . . . Some of these narrators are moving and sympathetic; others radiate the metastasizing creepiness of a Patricia Highsmith villain. Their stories evolve in subtly distinctive tones and forms * Washington Post * Mitchell's mesmerizing saga is evidence of the power of story to transport us, and even to stop time entirely. * Vanity Fair * No one, clearly, has ever told Mitchell that the novel is dead. He writes with a furious intensity and slapped-awake vitality, with a delight in language and all the rabbit holes of experience * New York Times Book Review * For its experimentation, humour, hybrid energy, and sheer narrative pleasure, The Bone Clocks compels admiration. * Evening Standard * Dazzling . . . Mitchell's heavy arsenal of talents is showcased in these pages: his symphonic imagination; his ventriloquist's ability to channel the voices of myriad characters from different time zones and cultures; his intuitive understanding of children and knack for capturing their solemnity and humor; and his ear for language - its rhythms, sounds and inflections. -- Michiko Kakutani * New York Times * Dazzling. * New York Times * Intellectually rigorous and stunningly imaginative . . . a rich and dense, inventive and witty thriller which, if you enjoyed Cloud Atlas and Mitchell's other works will leave you completely spellbound * Daily Express * Every page fizzes with energy and humour. Wildly imaginative and truly magical, this is a big, chunky feast of a book. * Sunday Mirror * If only real life were as elegant and generally encouraging as a Mitchell novel! He writes with scintillating verve and abundance. * Daily Telegraph * He is funny, hip and full of life. Which other writer could match his witty elision of fiction and science, of sense and nonsense? This beautiful explosion of adventurous ideas may well take him, finally, beyond the Booker shortlist. * The Times * A globe-trotting, mind-bending, hair-raising triumph. * Guardian *

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