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BIRTHDAY LETTERS ** Signed First Edition **

Ted Hughes

7.306 valoraciones por Goodreads
ISBN 10: 0374112967 / ISBN 13: 9780374112967
Editorial: Farrar Straus & Giroux, NY, 1998
Condición: As New Encuadernación de tapa dura
Librería: Richard Vick, Modern First Editions (Coral Springs, FL, Estados Unidos de America)

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***** This is the true first American edition, first printing (with "First Farrar, Straus and Giroux edition, 1998" stated on the copyright page, and with no later printings listed). ***** This book is SIGNED by the author (Ted Hughes) on the title page. The author has not inscribed this book to anyone; it is just signed by the author. ***** Signed examples of the US first printing are rare. ***** Very nice hardcover with dust jacket. There is NO writing, NO bookplates, and NO remainder marks. It is NOT a book club edition and NOT a former library book. The dust jacket is NOT price-clipped ($20.00). ***** CONDITION: Both the book and dust jacket are in VERY FINE (NEW) condition. ***** We include new mylar (clear) dust jacket protectors with all books at no charge. ***** OUR GUARANTEE TO YOU: All books are guaranteed to be as described. We believe that no sale is complete until you are happy. Any book is returnable for a full refund (including postage) if you're not 100% satisfied. All books are packaged very carefully and shipped via USPS Mail with Delivery Confirmation. Thank you! Richard Vick, Modern First Editions (Buying and Selling Modern First Editions since 1982). N° de ref. de la librería 2254

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Detalles bibliográficos

Título: BIRTHDAY LETTERS ** Signed First Edition **

Editorial: Farrar Straus & Giroux, NY

Año de publicación: 1998

Encuadernación: Hard Cover

Condición del libro:As New

Condición de la sobrecubierta: As New

Ejemplar firmado: Signed by Author

Edición: First Edition.

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Sinopsis:

A collection of poems addressed to Hughes' late wife, poetess Sylvia Plath, dealing with the psychological breakdown that led to some of her greatest poems and her untimely death

Review:

Ted Hughes's Birthday Letters--88 tantalizing responses to Sylvia Plath and the furies she left behind--emerge from an echo chamber of art and memory, rage and representation. In the decades following his wife's 1963 suicide, Hughes kept silent, a stance many have seen as guilty, few as dignified. While an industry grew out of Plath's life and art, and even her afterlife, he continued to compose his own dark, unconfessional verses, and edited her Collected Poems, Letters Home: Correspondence 1950-1963, and Journals. But Hughes's conservancy (and his sister Olwyn's power as Plath's executrix) laid him open to yet more blame. Biographers and critics found his cuts to her letters self-interested, and decried his destruction of the journals of her final years--undertaken, he insisted, for the sake of their children.

In Birthday Letters we now have Hughes's response to Plath's white-hot mythologizing. Lost happiness intensifies present pain, but so does old despair: "Your ghost," he acknowledges, "inseparable from my shadow." Ranging from accessible short-story-like verses to tightly wound, allusive lyrics, the poems push forward from initial encounters to key moments long after Plath's death. In "Visit," he writes, "I look up--as if to meet your voice / With all its urgent future / that has burst in on me. Then look back / At the book of the printed words. / You are ten years dead. It is only a story. / Your story. My story." These poems are filled with conditionals and might-have-beens, Hughes never letting us forget forces in motion before their seven-year marriage and final separation. When he first sees Plath, she is both scarred (from her earlier suicide attempt) and radiant: "Your eyes / Squeezed in your face, a crush of diamonds, / Incredibly bright, bright as a crush of tears..." But Fate and Plath's father, Otto, will not let them be. In the very next poem, "The Shot," her trajectory is already plotted. Though Hughes is her victim, her real target is her dead father--"the god with the smoking gun."

Of course, "The Shot" and the accusatory "The Dogs Are Eating Your Mother" are an incitement to those who side (as if there is a side!) with Plath. Newsweek has already chalked up the reaction of poet and feminist Robin Morgan to the book: "My teeth began to grind uncontrollably." But Hughes makes it clear that his poems are written for his dead wife and living children, not her acolytes' bloodsport. He has also, of course, written them for himself and the reader. Pieces such as "Epiphany," "The 59th Bear," and "Life After Death" are masterful mixes of memory and image. In "Epiphany," for instance, the young Hughes, walking in London, suddenly spots a man carrying a fox inside his jacket. Offered the cub for a pound, he hesitates, knowing he and Plath couldn't handle the animal--not with a new baby, not in the city. But in an instant, his potent vision extends beyond the animal, perhaps to his and Plath's children:

Already past the kittenish
But the eyes still small,
Round, orphaned-looking, woebegone
As if with weeping. Bereft
Of the blue milk, the toys of feather and fur,
The den life's happy dark. And the huge whisper
Of the constellations
Out of which Mother had always returned.
Other poems are more influenced by Plath's "terrible, hypersensitive fingers," including "The Bee God" and "Dreamers," which is apparently a record of Plath's one encounter with Hughes's mistress: "She fascinated you. Her eyes caressed you, / Melted a weeping glitter at you. / Her German the dark undercurrent / In her Kensington jeweller's elocution / Was your ancestral Black Forest whisper--" This exotic woman, "slightly filthy with erotic mystery," seems a close relation to Plath's own Lady Lazarus, and the poem would be equally powerful without any biographical information. This is the one paradoxical pity of this superb collection. These poems require no prior knowledge--but for better or worse, we possess it.

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We offer an interesting variety of collectible books. Our speciaty is Modern First Editions (both signed and unsigned), but we also offer collectible books in the following areas: Childrens' books, Americana, Art & Architecture, Travel & Exploration, Early American Imprints, Decorative Bindings, and Vintage Paperbacks.

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