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The Ash Garden (First Edition, inscribed to Mel Gussow)

Bock, Dennis

523 valoraciones por Goodreads
ISBN 10: 0375413022 / ISBN 13: 9780375413025
Editorial: Alfred A. Knopf, New York, 2001
Encuadernación de tapa dura
Librería: Royal Books, Inc., ABAA (Baltimore, MD, Estados Unidos de America)

Librería en AbeBooks desde: 13 de octubre de 1998

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First Edition. INSCRIBED and dated by Bock to Mel Gussow on the title page: "Sep 01 / For Mel / Wonderful talking with you / All best / Dennis Bock." Gussow interviewed Bock for this, his first novel, and published a review of the book in The New York Times in 2001. Gussow was a theatre critic and cultural writer for The New York Times from 1969 until his death in 2005. He authored 8 books, served as editor for many others, and his reviews and interviews (with the likes of Arthur Miller, Samuel Beckett, Harold Pinter, and Tom Stoppard) became staples of students and fans of theatre for decades. His first published review was Edward Albee's "Who's Afraid of Virginia Woolf?" in 1962, leading to a lifelong relationship with the playwright that resulted in a biography of Albee by Gussow, published in 1999. Fine and unread in a Near Fine dust jacket. An attractive copy, and a great association. N° de ref. de la librería 117843

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Detalles bibliográficos

Título: The Ash Garden (First Edition, inscribed to ...

Editorial: Alfred A. Knopf, New York

Año de publicación: 2001

Encuadernación: Hardcover

Condición de la sobrecubierta: Dust Jacket Included

Ejemplar firmado: Signed by Author(s)

Edición: First Edition.

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A scientist stealing across the Pyrenees into Spain, then smuggled into America . . .

A young woman quarantined on a ship wandering the Atlantic, her family stranded in Austria . . .

A girl playing on a riverbank as a solitary airplane appears on the horizon . . .

Lives already in motion, unsettled by war, and about to change beyond reckoning—their pasts blurred and their destinies at once defined and distorted by an inconceivable event. For that man was bound for the desert of Los Alamos, the woman unexpectedly en route to a refugee camp, the girl at Ground Zero and that plane the Enola Gay. In August of 1945, in a blinding flash, Hiroshima sees the dawning of the modern age.

With these three people, Dennis Bock transforms a familiar story—the atom bomb as a means to end worldwide slaughter—into something witnessed, as if for the first time, in all its beautiful and terrible power. Destroyer of Worlds. With Anton and Sophie and Emiko, with the complete arc of their histories and hopes, convictions and regrets, The Ash Garden is intricate yet far-reaching: from market streets in Japan to German universities, from New York tenements to, ultimately, a peaceful village in Ontario. Revealed here, as their fates triangulate, are the true costs and implications of a nightmare that has persisted for more than half a century.

In its reserves of passion and wisdom, in its grasp of pain and memory, in its balance of ambition and humanity, this first novel is an astonishing triumph.


The unprecedented impact, ideology, and geographic scope of the Second World War continue to attract new novelists who hammer the history out a little thinner each time, highlighting lesser-known massacres or sifting through minor characters to discover a representative but undiscovered guide. Dennis Bock's poignant book The Ash Garden personalizes the epic bombing of Hiroshima through Anton Böll, a German émigré physicist, and Emiko, a Japanese victim of the bomb. Bombmaker and bombed, they balance this incisive, symmetrical novel and its sustained inquiry into remorse and forgiveness.

One of 25 Hiroshima Maidens relocated from post-war Japan to America for corrective plastic surgery, Emiko remains in the U.S. as a student, then as a filmmaker. The novel is at its best with her, from the heavy losses that surround her recovery in Japan to the awkwardness of immigrating to the nation that is both her tormentor and her savior. Meanwhile, Anton, her opposite number, doesn't just return home from war, he returns having irrevocably changed war. Stubbornly proud of his work and estranged from his isolated, ailing wife, Anton offers no home to remorse, and his conflicted legacy takes a lifetime to heal. Heal it does, though, just as Anton and Emiko meet and begin to discuss their roles in the bombing. The climax may be too much for readers impatient with a Dickensian full-cast ending: like those of John Irving, Bock's symmetries are delightful to discover at the halfway point but disappointingly conspicuous by the novel's close. --Darryl Whetter

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