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The Art of the Hunchback of Notre Dame

Rebello, Stephen

ISBN 10: 0786862084 / ISBN 13: 9780786862085
Editorial: Hyperion Books, Boston, Massachusetts, U.S.A., 1996
Condición: Very Good+ Encuadernación de tapa dura
Librería: DBookmahn's Used and Rare Military Books (Burke, VA, Estados Unidos de America)

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Descripción

199pp/illus. Walt Disney (inspired by the Victor Hugo literary masterpiece, Notre-Dame de Paris) brings fifteenth-century Paris "to life with the visual and theatrical themes of light played against dark, heaven cast against hell, good opposing evil, inner beauty outshining emotional ugliness." Quasimodo, the belltower of Notre Dame Cathedral, Esmeralda and Frollo are brought back again. This book features the "rarely seen spectrum of art created in the making of the film, as the story is imagined and re-imagined in a variety of media--from conceptual paintings, to story sketches and layout drawings, through the many states of animation and background painting, computer-generated imagery, effects animation, and final art from the production. The text features background on the original Hugo novel, as well as the historical influences. Gift inscription on ffep. Light wear to dj. Clean. N° de ref. de la librería 006174

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Detalles bibliográficos

Título: The Art of the Hunchback of Notre Dame

Editorial: Hyperion Books, Boston, Massachusetts, U.S.A.

Año de publicación: 1996

Encuadernación: Cloth

Condición del libro:Very Good+

Condición de la sobrecubierta: Very Good

Edición: 1st Printing

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Sinopsis:

In a beautiful collection of animation art from Disney's new film adaptation of The Hunchback of Notre Dame, conceptual material, sketches, layout drawings, and storyboards are carefully reproduced for avid fans.

From Booklist:

For its latest animated feature, the Disney studio has turned again to a classic. This time, rather than a children's tale, the source is Victor Hugo's Hunchback of Notre Dame. Not unexpectedly, the adaptation dumbs down and sanitizes the novel, altering its focus to place politically correct emphasis on Quasimodo's effort to overcome his deformity and gain acceptance. Further to avoid offense, the villain Frollo has been transformed from a cleric into a judge. And, of course, Disney provides a happy ending. As usual, Hyperion, the studio's publishing outlet, has produced a lavish book companion to the movie that details its history and production and includes hundreds of color and black-and-white illustrations and commentary by its creators. A disfigured main character is a departure from the glamorous youngsters that typically feature in Disney cartoons, but there is little reason to think Hunchback won't continue Disney's string of box-office blockbusters, and wherever Disney's other art book tie-ins have proved popular, so should this one. Gordon Flagg

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