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American Photography and the American Dream

Guimond, James

10 valoraciones por Goodreads
ISBN 10: 0807819468 / ISBN 13: 9780807819463
Editorial: Univ of North Carolina Pr, Chapel Hill, 1991
Condición: Very Good Encuadernación de tapa dura
Librería: Laura Grim (Austin, TX, Estados Unidos de America)

Librería en AbeBooks desde: 22 de abril de 2004

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Descripción

Book is bright and clean with light soiling to page edges. Dust jacket shows corner wear with 1" closed tear at bottom corner and accompanying creases, smaller closed tear at top rear corner of dust jacket. Text is clean and bright. ; Cultural Studies of the United States; 1.25 x 10.5 x 7.5 Inches; 341 pages. N° de ref. de la librería 2709

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Detalles bibliográficos

Título: American Photography and the American Dream

Editorial: Univ of North Carolina Pr, Chapel Hill

Año de publicación: 1991

Encuadernación: Hardcover

Condición del libro:Very Good

Condición de la sobrecubierta: Very Good

Edición: First Edition

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Sinopsis:

James Guimond's powerful study reveals how documentary photographers have expressed or contested the idea of the American Dream throughout the twentieth century. In Guimond's formulation issues like growth, equality, and national identity came under the rubric of the Dream as it has been used to measure how well the nation is living up to its social and political ideals.

A pathbreaking book, American Photography and the American Dream examines the most important photographers and developments in the documentary genre during this century. It encompasses the reform-era images of Francis Benjamin Johnston and Lewis Hine; the work of Farm Security Administration (FSA) photographers like Walker Evans and Dorothea Lange during both the 1930s and 1940s after the FSA photography unit broke up; the American-Way-of-Life pictures published by Life, Look, and the United States Information Agency during the 1940s and 1950s; the iconoclastic images of William Klein, Diane Arbus, and Robert Frank; and the work of four photographers of the 1970s and 1980s: Bill Owens, Chauncey Hare, Susan Meiselas, and Michael Williamson.

Guimond pays close attention to the specific historical circumstances in which the pictures were made, to the roles the photographers played in making their images, to their intentions, stated and unstated, and to the original contexts in which the images were published or exhibited. These images, he shows, are not merely pictures on museum walls but revelations that can help us understand how we as Americans have seen ourselves, one another, and the world around us.

Book Description:

"James Guimond offers a bold view of documentary photography as a means of challenging and questioning the American Dream throughout the 20th century."--Richmond Times-Dispatch

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