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Alice Guy, Leon Gaumont et les delouts du film sonare Alice Guy, Leon Gaumont et les delouts du film sonare Alice Guy, Leon Gaumont et les delouts du film sonare

Alice Guy, Leon Gaumont et les delouts du film sonare

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ISBN 10: 2742010971 / ISBN 13: 9782742010974
Condición: Good Encuadernación de tapa blanda
Librería: Hurlingham Books (London, Reino Unido)

Librería en AbeBooks desde: 4 de noviembre de 2010

Cantidad: 1

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internally good copy, . worn edges. text in French. . for detailed description and photos please contact us. N° de ref. de la librería 099554

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Detalles bibliográficos

Título: Alice Guy, Leon Gaumont et les delouts du ...

Encuadernación: Soft cover

Condición del libro:Good

Condición de la sobrecubierta: No Jacket

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Sinopsis:

In the early twentieth century Gaumont was in the avant-garde of film technology, innovating in particular in the field of sound and colour. They were synchronizing sound on disk with motion pictures - representing a breakthrough in this area. Gaumont, with its "phonoscènes" and "filmparlants" presented a show, based in part on the world of vaudeville, song and monologue. This was a revolutionary technique of synchronization and amplification of sound. Léon Gaumont’s research into sound cinema, ending at the end of the 1920s with the development of the Gaumont-Petersen-Poulsen optical system.

Léon Gaumont was not the first or the only one trying to solve the problem of sound cinema. Many other companies developed parallel systems. However, it was the U.S. Vitaphone (none other than the improved Gaumont chronophone), which triumphed on the screen - at least for a while. Another innovative Gaumont was to entrust its film production to a young woman, Alice Guy. Under her direction, these fiction films developed considerably. But what exactly are the films by Alice Guy? When did she really start? Archival documents can clarify some of the mysteries. A number of studies collected in this book are based on unpublished material. Extensive illustration, not previosuly published, allows the reade to appreciate the beauty of equipment made by Léon Gaumont.

About the Author:

LAURENT MANNONI is a director and curator at the French Cinémathèque in Paris. Author of fifteen works on early cinema, he is responsible for organising a great many scientific conferences and exhibitions.

MAURICE GIANATI is a researcher, historian and collector, and has advised on the preparation of many exhibitions on early cinema. His archives are held by Gaumont, Pathé et la Cinémathèque française.

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Hurlingham Books, based in Fulham, London SW6 has been established 35 years. A second hand bookshop with more than one million books in stock covering all subjects, we are regarded as a 'find' by our customers who often refer to us as 'the best bookshop in London'. We love our customers too and we can answer most requests for individual books, build whole collections, offer 'bookfinder' and 'odd volume' services and rent or sell books for interiors and films. We treasure books and if you visit our shop you are likely to meet Ray Cole, the popular and knowledgeable owner.

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