Jivya Soma Mashe (1934-2018), le figure légendaire de le tribu Werli (Maharashtra. Inde), fait partie des artistes,, des auteurs aurait dit Dubuffet. comme Bill Traylor ou Frederic Bruly Bouabré qui ouvrent notre regard sur la richesse et la diversité de nos cultures. Jivya Soma Mashe, abandonne dès son plus jeune âge par sa famille. va se réfugierdans la pratique du dessin et s'emparer de le pictographie propre à sa mm naute pour développer un style personnel qui suscitera l'admiration de ses proches, puis des autorites régionales, nationales et internationales. Ce livre est le premier dédié entièrement à l'oeuvre picturale de Jivya Sarna Mashe.
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Hervé Perdriolle is an art critic and exhibition organiser. After co-ordinating the first show of the French Figuration Libre movement (Blanchard, Boisrond, Combas, Di Rosa, Viollet) in Paris (1981), he organised the first exhibitions of Jean-Michel Basquiat and Keith Haring at Musée d’Art Moderne de la Ville de Paris (1984).
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Hardcover. Condición: new. Hardcover. Jivya Soma Mashe, a Warli artist, created unique, animist-inspired paintings. His work gained international acclaim, exhibited at prestigious venues like the Centre Pompidou. This is the first book to be entirely dedicated to the artwork of Jivya Soma Mashe. Through the quality of his work, Jivya Soma Mashe stands comparison with other outstanding enigmatic artists, such as Bill Traylor or Frederic Bruly Bouabre, who broaden our understanding of the diversity of forms and cultures. Jivya Soma Mashe (19342018) is a legendary figure among his people, the Warli, a tribe of around 300,000 inhabiting an area 150 km north of Mumbai (Maharashtra, India). Its members are animists and speak a language that has never developed a written form. To the best of human memory, it is Warli women who have always painted ritual and ephemeral paintings directly on the walls of their huts. The Warli have developed an extremely basic pictography based on circles, triangles, and squares to express their animist culture and represent their only deity, the mother goddess Palghatta, at the centre of each painting. After losing his mother at a young age, Jivya Soma Mashe took refuge in drawing, immersing himself in a personal style that first elicited the admiration of his peers and later that of regional, national, and international authorities. Jivya Soma Mashe received his first national award in 1976 from Indira Gandhi herself. His works featured prominently in the Magiciens de la terre exhibition (Centre Pompidou, Paris 1989) and in the exhibition celebrating the 30th anniversary of the Cartier Foundation (Paris 2014). Text in English and French. AUTHOR: Herve Perdriolle is an art critic and exhibition organiser. After co-ordinating the first show of the French Figuration Libre movement (Blanchard, Boisrond, Combas, Di Rosa, Viollet) in Paris (1981), he organised the first exhibitions of Jean-Michel Basquiat and Keith Haring at Musee d'Art Moderne de la Ville de Paris (1984). SELLING POINTS: . This is the only comprehensive book dedicated to the art of Jivya Soma Mashe, making it a unique and essential resource . Mashe's work has been featured in prestigious exhibitions like Magiciens de la terre (Centre Pompidou) and a Cartier Foundation anniversary exhibition, highlighting his global recognition . Mashe is compared to enigmatic artists like Bill Traylor and Frederic Bruly Bouabre, positioning him within a respected lineage of self-taught artists . The book offers a deep dive into the art of the Warli tribe, providing insight into their animist beliefs and traditions 150 colour illustrations Jivya Soma Mashe, a Warli artist, created unique, animist-inspired paintings. His work gained international acclaim, exhibited at prestigious venues like the Centre Pompidou. Text in English and French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9791254600887
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Hardback. Condición: New. 1st. This is the first book to be entirely dedicated to the artwork of Jivya Soma Mashe. Through the quality of his work, Jivya Soma Mashe stands comparison with other outstanding enigmatic artists, such as Bill Traylor or Frédéric Bruly Bouabré, who broaden our understanding of the diversity of forms and cultures.Jivya Soma Mashe (1934-2018) is a legendary figure among his people, the Warli, a tribe of around 300,000 inhabiting an area 150 km north of Mumbai (Maharashtra, India). Its members are animists and speak a language that has never developed a written form. To the best of human memory, it is Warli women who have always painted ritual and ephemeral paintings directly on the walls of their huts. The Warli have developed an extremely basic pictography based on circles, triangles, and squares to express their animist culture and represent their only deity, the mother goddess Palghatta, at the centre of each painting. After losing his mother at a young age, Jivya Soma Mashe took refuge in drawing, immersing himself in a personal style that first elicited the admiration of his peers and later that of regional, national, and international authorities. Jivya Soma Mashe received his first national award in 1976 - from Indira Gandhi herself. His works featured prominently in the Magiciens de la terre exhibition (Centre Pompidou, Paris 1989) and in the exhibition celebrating the 30th anniversary of the Cartier Foundation (Paris 2014).Text in English and French. Nº de ref. del artículo: LU-9791254600887
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