From art to science. Experiencing nature in the european garden 1500-1700

 
9788896600924: From art to science. Experiencing nature in the european garden 1500-1700
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Fin dall'antichità, il giardino è il luogo privilegiato dell'incontro tra creatività artistica e osservazione della natura. In Europa nel corso del Cinquecento il giardino diventò una palestra per la sperimentazione diretta sia in ambito estetico che sul piano scientifico. In tale luogo la natura era considerata fonte di diletto e oggetto di studio, non solo tramite le esperienze dei "filosofi naturali", ma anche grazie alle immagini destinate ai trattati di botanica o al collezionismo colto. Si sviluppò così una forma d'arte nella quale la rappresentazione naturalistica acquisì una funzione epistemologica, affermandosi come parte integrante del processo scientifico. La frontiera tra arte e scienza, così sottile nel periodo rinascimentale, tenne a scomparire completamente nel giardino: gli orti botanici o zoologici nascenti erano anche usati dagli artisti per la propria formazione; la moda delle grotte rustiche facevano eco in modo creativo al fervido dibattito attorno alla formazione della materia; le fontane, i giochi e gli scherzi d'acqua erano stimoli per lo studio dell'idraulica. I saggi raccolti in questo volume esplorano in modo innovativo la relazione dialettica tra le scienze naturali nascenti in epoca moderna e lo sviluppo parallelo del giardino come opera d'arte e oggetto di studio.

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ISBN 10: 8896600928 ISBN 13: 9788896600924
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Descripción Zoppelli e Lizzi, 2016. Condición: NEW. Nº de ref. del artículo: 9788896600924

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Descripción ZeL Edizioni, Italy. Book. Condición: New. Language: French,English . Brand New Book. Since ancient times, gardens have been a special place of inspiration for both artistic creativity and study of nature. In sixteenth-century Europe, the garden evolved into a playing field for direct experimentation. Nature was experienced as a source of delight but also viewed as an object of study by amateurs and natural philosophers. This ambivalence incited the development of new and original art forms, in which naturalistic representation acquired an epistemological function, and became as such an integral part of the scientific process. Thus, the distinction between art and science, subtle as it was in the Renaissance, tended to fade away completely in gardens. Artists used the emerging botanical or zoological gardens to the benefit of their own training, and the images of flora and fauna they created for educated collectors or botanical treatises were appreciated for their aesthetic qualities as well as for their naturalism. The fashion for rustic grottoes mirrored artistically the ongoing heated debate over the formation of matter; and fountains, displays and waterworks in their turn sparked the study of hydraulics. The essays collected in this volume show the state of the art in regards to this topic and explore the dialectic of the interrelationship between the study of nature and the design of gardens. Nº de ref. del artículo: LIO9788896600924

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aa.vv.
Publicado por ZeL Edizioni (2016)
ISBN 10: 8896600928 ISBN 13: 9788896600924
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Descripción ZeL Edizioni, 2016. Condición: new. Testo in Italiano, Inglese e Francese. Treviso, 2016; br., pp. 126, ill. b/n, cm 16,5x24. (Festina Lente. Indagini d'Arte e Cultura. Miscellanea). Since ancient times, gardens have been a special place of inspiration for both artistic creativity and study of nature. In sixteenth-century Europe, the garden evolved into a playing field for direct experimentation. Nature was experienced as a source of delight but also viewed as an object of study by amateurs and natural philosophers. This ambivalence incited the development of new and original art forms, in which naturalistic representation acquired an epistemological function, and became as such an integral part of the scientific process. Thus, the distinction between art and science, subtle as it was in the Renaissance, tended to fade away completely in gardens. Artists used the emerging botanical or zoological gardens to the benefit of their own training, and the images of flora and fauna they created for educated collectors or botanical treatises were appreciated for their aesthetic qualities as well as for their naturalism. The fashion for rustic grottoes mirrored artistically the ongoing heated debate over the formation of matter; and fountains, displays and waterworks in their turn sparked the study of hydraulics. The essays collected in this volume show the state of the art in regards to this topic and explore the dialectic of the interrelationship between the study of nature and the design of gardens. Nº de ref. del artículo: 3154309

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