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Medellín, the second largest city in Colombia, is a clear example of self-reinvention. Being known and labelled for decades as a place of violence, this Latin American city has transformed into a city of vitality and creativity. Supported by the local government and a group of forward-thinking Colombian architects, the new image of the city is made of experimental architectural projects which act as the real instrument of an inclusive urban-social change. Internationally published projects such as Giancarlo Mazzantis España Library, the Orquideorama of Restrepo, and the Temple of Ashes are examined here in detail within their social context.
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