Lin Ci Chinese Paintings

ISBN 13: 9787508516691

Chinese Paintings

 
9787508516691: Chinese Paintings

Traditional Chinese painting was fundamentally an abstract art form. Artists did not seek to represent direct copies of the natural world; rather, traditional Chinese paintings sought to portray the harmony between the natural world and human emotion, evoking ancient Chinese philosophy. From ancient scroll paintings to Buddhist grottoes to modern art, Lin Ci explores the history, theory and development of distinctive styles of Chinese painting, illustrated throughout with full color examples of these unique, treasured works of art.

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About the Author:

Lin Ci completed his postgraduate studies at the Zhejiang Academy of Art and the China Art Research Institute. A research fellow with the China Art Research Institute specializing in art history and visual arts, Lin has published widely on the subject of Chinese art and photography.

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1.

Lin Ci Yan Xinjian & Ni Yanshuo
Editorial: China Intercontinental Press (2010)
ISBN 10: 7508516699 ISBN 13: 9787508516691
Nuevos Soft cover Cantidad: 1
Librería
CHINASCIBOOK
(Beijing, BJ, China)
Valoración
[?]

Descripción China Intercontinental Press, 2010. Soft cover. Estado de conservación: New. Traditional Chinese painting was fundamentally an abstractModel art form.Although there were no absolute abstractModel Chinese paintings in its original meaning¿ objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony between the nature world and human emotion¿ a product of "heaven ¿nature¿ and human". The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their paintings was no means accurate and few concerned about such factors as colors¿ principle of perspective¿ anatomy¿ surface feel¿ and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world. Preface From Gu Kaizhi to Wu Daozi Tomb Chamber Paintings The Most Romantic Painting "Communication of the Soul" Spring Outing ¿You-Chun TU¿ Emperors of Great Prosperity Another Figure Painting "The Painting Saga" Famous Paintings Record of Past Dynasties ¿Li-dai ming-hua ji¿ Desert Treasures Buddhism Going East Dunhuang Mogao Caves Lucid Mountains and Remote Streams Northern Painters and Southern Painters Song Huizong and his period Along the River During the Oingming Festival ¿Oingming Shanghe Tu¿ Panorama Shanshui Su Shi and Mi Fu Scholar Paintings Zhao Mengfu and "Four Masters of the Yuan Dynasty" Plum Blossom¿ Orchid¿ Bamboo and Stone "The Southern and Northern Sects" "Four Monks" and "Four Wangs" The End of Scholar Paintings and Famous Chinese Painters of Modern Times Modern Chinese Paintings Painters Studying Abroad Revolutionary Realism "Modern" and "Post-Modern" Appendix¿ Chronological Table of the Chinese Dynastie. Nº de ref. de la librería 108648

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2.

Lin Ci Yan Xinjian & Ni Yanshuo
Editorial: China Intercontinental Press (2010)
ISBN 10: 7508516699 ISBN 13: 9787508516691
Nuevos Soft cover Cantidad: 1
Librería
CHINASCIBOOK
(Beijing, BJ, China)
Valoración
[?]

Descripción China Intercontinental Press, 2010. Soft cover. Estado de conservación: New. Traditional Chinese painting was fundamentally an abstractModel art form.Although there were no absolute abstractModel Chinese paintings in its original meaning¿ objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony between the nature world and human emotion¿ a product of "heaven ¿nature¿ and human". The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their paintings was no means accurate and few concerned about such factors as colors¿ principle of perspective¿ anatomy¿ surface feel¿ and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world. Preface From Gu Kaizhi to Wu Daozi Tomb Chamber Paintings The Most Romantic Painting "Communication of the Soul" Spring Outing ¿You-Chun TU¿ Emperors of Great Prosperity Another Figure Painting "The Painting Saga" Famous Paintings Record of Past Dynasties ¿Li-dai ming-hua ji¿ Desert Treasures Buddhism Going East Dunhuang Mogao Caves Lucid Mountains and Remote Streams Northern Painters and Southern Painters Song Huizong and his period Along the River During the Oingming Festival ¿Oingming Shanghe Tu¿ Panorama Shanshui Su Shi and Mi Fu Scholar Paintings Zhao Mengfu and "Four Masters of the Yuan Dynasty" Plum Blossom¿ Orchid¿ Bamboo and Stone "The Southern and Northern Sects" "Four Monks" and "Four Wangs" The End of Scholar Paintings and Famous Chinese Painters of Modern Times Modern Chinese Paintings Painters Studying Abroad Revolutionary Realism "Modern" and "Post-Modern" Appendix¿ Chronological Table of the Chinese Dynastie. Nº de ref. de la librería 172

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3.

Lin Ci
Editorial: wu zhou chuan bo chu ban she (2010)
ISBN 10: 7508516699 ISBN 13: 9787508516691
Nuevos Paperback Cantidad: 2
Librería
Murray Media
(North Miami Beach, FL, Estados Unidos de America)
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Descripción wu zhou chuan bo chu ban she, 2010. Paperback. Estado de conservación: New. Never used!. Nº de ref. de la librería P117508516699

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4.

LIN CI
ISBN 10: 7508516699 ISBN 13: 9787508516691
Nuevos paperback Cantidad: 3
Librería
liu xing
(JiangSu, JS, China)
Valoración
[?]

Descripción paperback. Estado de conservación: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date :2010-01-01 Pages: 181 Language: Chinese Publisher: China Intercontinental Press Information Title: Chinese Painting ( English) Price: 99.00 yuan Author : Linz Press: China Intercontinental Press Publishing Date: January 1. 2010 ISBN: 9787508516691 words: Page: 181 Edition : first Edition Binding : Paperback Format: 16 weight : 322 g Editor's Choice Chinese painting ( in English ) published by the China Intercontinental Press . Summary Chinese painting ( in English ) Main .Four Satisfaction guaranteed,or money back. Nº de ref. de la librería RV089734

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5.

BEN SHE,YI MING
Editorial: China Intercontinental Press
ISBN 10: 7508516699 ISBN 13: 9787508516691
Nuevos Soft cover Cantidad: 10
Librería
liu xing
(JiangSu, JS, China)
Valoración
[?]

Descripción China Intercontinental Press. Soft cover. Estado de conservación: New. Language:English.Author:BEN SHE,YI MING.Binding:Soft Cover.Publisher:China Intercontinental Press. Nº de ref. de la librería 0601175

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6.

Linci
ISBN 10: 7508516699 ISBN 13: 9787508516691
Nuevos paperback Cantidad: 1
Librería
liu xing
(JiangSu, JS, China)
Valoración
[?]

Descripción paperback. Estado de conservación: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Language: English. Pub. Date: 2010. Traditional Chinese painting was fundamentally an abstract art form.Although there were no absolute abstract Chinese paintings in its original meaning. objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony between the nature world and human emotion. a product of heaven (nature) and human. The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their paintings was no means accurate and few concerned about such factors as colors. principle of perspective. anatomy. surface feel. and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world. Contents: PrefaceFrom Gu Kaizhi to Wu DaoziTomb Chamber PaintingsThe Most Romantic PaintingCommunicatin of the SoulSpring OutingEmperors of Great ProsperityAnother Figure PaintingThe Painting SagaFamous Paintings Record of Past DynastiesDesert TreasuresBuddhism Going EastDunhuang Mogao CavesLucid Mountains and Remote StreamsNorthenr Painters and Southen PaintersFour Satisfaction guaranteed,or money back. Nº de ref. de la librería 099077

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