She doesn't have breasts, she has Deadly Weapons! When gangsters kill her boyfriend, the eye-popping, excessively endowed Chesty Morgan seeks revenge with two of the most incredible weapons ever seen on the motion picture screen: her 73-inch breasts! Miss Morgan (billed simply as "Zsa Zsa"), an Israeli stripper whose gigantic, watermelon-sized bust is downright scary, plays Crystal, a "successful advertising executive," who tracks down the men who offed her lover and smothers them by shoving their faces into her copious cleavage! All of which leads up to a bizarre, mind-boggling surprise ending. A completely deranged cult classic from director Doris Wishman, "Deadly Weapons" proved to be such a hit on the grindhouse circuit that another Doris and Chesty collaboration, "Double Agent 73," quickly followed. To see it is to disbelieve it!
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Mobsters get walloped by a top-heavy avenger called Zsa Zsa in the on-screen credits. Made by Doris Wishman.Review:
Yes, Virginia, there is a Doris Wishman, and she really did carve a career out of blunt, bizarre, and bewilderingly bad sexploitation films. Deadly Weapons is one of her most notorious, a revenge tale starring the impossibly endowed Polish-born stripper Chesty Morgan (identified in the credits simply as Zsa Zsa), whose claim to fame is a 73-inch bust that she displays, strokes, and fondles in practically every scene. The nominal plot involves a mob blackmail scheme and a double-crossing gangster who just happens to be Chesty's boyfriend. When the syndicate kills him, she goes undercover to take her revenge on his murderers in a most unique way: She smothers them with her grotesque bosom. There's nothing erotic about this crazy freak show, but it is jaw-droppingly weird. Chesty is no actress--she shuffles, zombielike, through the picture while numbly gazing down as if looking for her mark--and her voice is supplied by a breathy American. As far as that goes, Wishman isn't much of a director. The picture is highlighted by flat performances, clumsy editing, wildly fluctuating color, and a tendency to cut away from dialogue scenes (she often lands on Chesty's mammoth mammaries) to hide the fact that all of the voices are dubbed in later. There's little of the spirit that makes Ed Wood's klutzy little pictures so much fun, but there is something strange and unique about this outrageous, unreal, and otherwise numbingly inept picture. It proved successful enough for Wishman and Morgan to team up for a pseudo-sequel, Double Agent 73. --Sean Axmaker
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