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Vasily Kandinsky's work has been celebrated lately by a number of major exhibitions. Contributors to this exhibition catalogue must meet the challenge of offering essays with new scholarly approaches to a well-researched artist. Independent art historian Lloyd and her group of renowned Kandinsky scholars find additional avenues to pursue, and present them in lively, accessible essays. They tease out, in six essays, the big idea inflecting Kandinsky's work of the Gesamtkunstwerk, the total work of art. They do so with much more success than did the 2013-14 Neue Galerie exhibition itself. As with that exhibition and the color plates of the catalogue, inclusions by Kandinsky's colleagues in the Blaue Reiter group--such as Marc, Macke, Werefkin, and even Klee--do little to illuminate that aspect of the Russian's work. Rather the additional photographs and figures accompanying the essays contribute significantly to understanding how much Kandinsky looked to and incorporated the other arts. Shulamith Behr's, Kandinsky and Theater, especially conveys the extent of Kandinsky's theatrical adventures and their contexts with detailed explications and readings. The documentary value of Christian Derouet's discussion in his chapter titled "The Juryfreie Murals" should be applauded as well. The volume is full of beautiful color plates and archival photographs rarely reproduced. Summing Up: Recommended. Lower-level undergraduates through researchers/faculty; general readers.--J. Simon "CHOICE "Reseña del editor:
Presents a catalog of the exhibition and a collection of essays showing how much the artist looked to and incoporated the other arts.
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Descripción HATJE CANTZ VERLAG GMBH & CO KG, 2013. Gebundene Ausgabe. Condición: Neu. Neu Neuware; Rechnung mit MwSt.; new item; - Die Erschaffung eines abstrakten Malstils ging für Vasily Kandinsky (1866-1944) mit dem Versuch einher, traditionelle Malweisen zu überwinden. Seine berühmten Gemälde musikalischer und dramaturgischer Assoziationen entwickelten sich zu raumgreifenden Objekten. Der Katalog geht der Auseinandersetzung des Künstlers mit dem Begriff des Gesamtkunstwerks in drei Kapiteln anhand von Essays etwa zur Begriffsklärung oder Kandinskys Begeisterung für Musik und Theater nach. Seine Auffassung der wagnerschen Gesamtkunstwerksidee und Prinzipien der Synästhesie werden anhand der Darstellung großformatiger Gemälde illustriert, die Kandinsky im Kontext des Blauen Reiters und des Bauhauses schuf. Auch die historischen Umwälzungen zu Beginn des 20. Jahrhunderts, die die Entstehung utopischer Wandmalereien und Installationen beförderten, werden in ihrer Einflussnahme auf das künstlerische Schaffen evaluiert. Ausstellung: Neue Galerie New York 3.10.2013-10.2.2014 Alongside his development of a revolutionary abstract style, Vasily Kandinsky (1866-1944) demonstrated an ambition to go beyond conventional easel painting. His famous large paintings with musical and theatrical associations transformed into veritable environments. The catalogue explores the evolution of a Gesamtkunstwerk in the work of Kandinsky including essays by leading Kandinsky scholars on painting as a total work of art, or the artist s interest in music and theatre. Separated into three sections, it illustrates how Kandinsky s fascination for the Wagnerian concept of the Gesamtkunstwerk and the principles of synesthesia developed into large-scale painting within the context of the two highly significant artistic groups Blaue Reiter and Bauhaus, as well as in response to the changing historical circumstances, last but not least, culminating in his large-scale decorative utopian murals and installations. Exhibition schedule: Neue Galerie New York October 3, 2013- February 10, 2014 240 pp. Englisch. Nº de ref. del artículo: INF1100264820
Descripción Hatje Cantz, 2013. Condición: New. Published to accompany a major exhibition at the Neue Galerie New York in 2014, this catalogue explores the evolution of Kandinsky's work from the Blaue Reiter to the Bauhaus years, a period during which he developed his revolutionary abstract style and began to move beyond conventional easel painting. Along with reproductions of 69 works, the catalogue contains six essays including discussions of the concept of the Total Work of Art (Gesamtkunstwerk), Kandinsky and music, and the Juryfreie murals. Nº de ref. del artículo: 221440
Descripción Hatje Cantz, Germany, 2013. Hardcover. Condición: New. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. New Arrivals. Book: NEW, New. Bookseller Inventory # 07978377573734000. Nº de ref. del artículo: 07978377573734000
Descripción Hatje Cantz, 2013. Hardcover. Condición: New. Estado de la sobrecubierta: New. New. Pristine, unmarked. 195 illustrations in color and black-and-white. // Shipped carefully packed in a sturdy box. Nº de ref. del artículo: 016026
Descripción Hatje Cantz, Ostfildern, 2013. Hardcover. Condición: New. Red cloth with gold lettering; black dj with color illustration and white lettering; 207 pp. with color and bw images throughout. This catalogue accompanies a major exhibition devoted to Vasily Kandinsky, held at the Neue Galerie from 3 October, 2013 until 10 February, 2014. It explores the evolution of his work from the Blaue Reiter to the Bauhaus years. During this period, Kandinsky developed his revolutionary abstract style and began to move beyond conventional easel painting. As master of the mural workshop at the Bauhaus, Kandinsky was able to put his ambition to create large-scale art environments into practice, particularly in his mural designs for the 1922 Juryfreie exhibition in Berlin and later in his decorations for the Salon de Musique in 1931. At this time, he developed a strong interest in the Wagnerian concept of the Gesamtkunstwerk, or total work of art. Embracing the principles of synesthesia, Kandinsky focused on the relationship between art and music, pushing the boundaries of the medium.Vasily Kandinsky (1866-1944) began painting at the age of 30, after putting aside a highly successful career in law. After studying at the Academy of Fine Arts in Munich, he returned to his native Moscow just after the outbreak of World War I. Uninspired by the prevalent Suprematist and Futurist art there, he returned to Germany in 1921, teaching at the Bauhaus until the school was closed by the Nazis. He then moved to France, where he lived until his death in 1944. Nº de ref. del artículo: 140869
Descripción Hatje Cantz, 2013. Hardcover. Condición: New. Never used!. Nº de ref. del artículo: P113775737340
Descripción Hatje Cantz. Hardcover. Condición: New. 3775737340 New Condition. Nº de ref. del artículo: NEW7.0838667