Agnes Martin's abstract works adhere to no catalogue of rules but appear instead as contemplative, intuitive signs. Her "floating abstractions," in which lines and free bands of color emerge almost imperceptibly, can be reproduced only with difficulty. Her writings, on the other hand--although certainly not intended as programmatic statements--offer valuable clarity regarding her own works and poetic insight about art in general. Since its original publication in 1991, this volume of Martin's writings has been a fundamental document for libraries of artists, collectors, and critics. Rather than identifying herself with her Minimalist peers, Martin has aligned herself with the ancient Greeks, Egyptians, and Chinese, asserting that "the function of art work is . . . the renewal of memories of moments of perfection." In combination with illustrations of her works, these texts--including lectures, stories recorded by critic Ann Wilson, passages ostensibly arranged in associative sequences, and "fragmentary ideas"--form an eloquent artist's statement by the creator of "silent paintings."
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Agnes Martin was born in Saskatchewan, Canada in 1912, and she moved to the United States in 1931. Her first solo exhibition was held in 1958 at the Betty Parsons Gallery, New York. In 1967 she moved to New Mexico and abandoned painting for seven years. The early 1990s saw her work exhibited in solo shows at the Stedelijk Museum, and at the Whitney, New York, and later in the Menil Collection, Houston, in 2002. Martin died in 2004.
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Descripción Hatje Cantz Publishers, 2005. Paperback. Estado de conservación: New. Never used!. Nº de ref. de la librería P113775716114
Descripción Estado de conservación: New. New. Nº de ref. de la librería S-3775716114
Descripción Hatje Cantz Publishers, 2005. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M3775716114