The Russian Avant-Garde and Radical Modernism: An Introductory Reader (Cultural Syllabus)

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9781936235292: The Russian Avant-Garde and Radical Modernism: An Introductory Reader (Cultural Syllabus)

The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories, which achieved a measure of coherence immediately after the First World War. This collection of essays by leading scholars examines the major figures, movements, and manifestos of the period. Scholarly attention is given to literature, visual arts, cinema, and theatre in an attempt to capture the complex nature of the modernist movement in Russia. This book would be especially relevant for university courses on the Russian twentieth century as well as for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde.

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About the Author:

Frederick H. White holds a PhD from the University of Southern California. Presently, he is the Associate Dean of the College of Humanities and Social Sciences at Utah Valley University. He is one of the leading specialists on the Russian writer Leonid Andreev and has published in the areas of Russian Modernism, psychology and literature, science in the Russian fin de siècle and the economics of culture.

Dennis Ioffe (PhD University of Amsterdam) is an Assistant Professor ( Doctor-Assistent ) at the Faculty of Arts and Philosophy, Ghent University, Belgium. He is also a research fellow at the UvA Slavic Seminarium and the Amsterdam School for Cultural Analysis (ASCA). In the previous years he served as Visiting Assistant Professor in Russian and German Studies at Memorial University (Canada) and as Teaching & Research Fellow, managing the Russian Centre at the University of Edinburgh (Scotland, the UK). Dr Ioffe has authored more than 50 scholarly articles, and edited and co-edited several academic collections.

Review:

A remarkable volume, The Russian Avant-Garde and Radical Modernism brings together the most significant movements and figures in Russian experimental art, cinema, and literature of the early twentieth century (both pre-Soviet and Soviet) and presents them in commentary by leading scholars in the field. The result is a vibrant introduction to Russian aesthetic thought of the last century, as well as to cutting-edge assessments of its meaning. A volume like this has long been overdue. It will be enormously useful to students of Russian culture in the modern era as well as anyone seeking a better understanding of modernism in general an artistic movement to which Russian artists made particularly brilliant contributions. --Thomas Seifrid, University of Southern California

Stimulating and comprehensive, gracefully written, filled with fascinating details and counterintuitive conclusions, this essential introduction to the Russian Avant-Garde offers a convincing and perceptive analysis of the Russian radical aesthetic thought and brings valuable new light to the most important developments in twentieth-century art. In the age of skepticism, repetition, and nostalgia for olden time dynamism a reading of these texts brings back a sense of freshness, power and fearlessness of Russian art in its heyday. --Evgeny Dobrenko, University of Sheffield

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Ioffe, Dennis G. [Editor]; White, Frederick [Editor];
Editorial: Academic Studies Press (2012)
ISBN 10: 1936235293 ISBN 13: 9781936235292
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Descripción Academic Studies Press, United States, 2012. Hardback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories which achieved a measure of coherence immediately after the First World War. This collection of essays by leading scholars examines the major figures, movements and manifestos of the period. Scholarly attention is given to literature, visual arts, cinema and theatre in an attempt to capture the complex nature of the modernist movement in Russia. This book would be especially relevant for university courses on the Russian twentieth century as well as for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde. Nº de ref. de la librería APC9781936235292

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Descripción Academic Studies Press, United States, 2012. Hardback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories which achieved a measure of coherence immediately after the First World War. This collection of essays by leading scholars examines the major figures, movements and manifestos of the period. Scholarly attention is given to literature, visual arts, cinema and theatre in an attempt to capture the complex nature of the modernist movement in Russia. This book would be especially relevant for university courses on the Russian twentieth century as well as for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde. Nº de ref. de la librería APC9781936235292

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Descripción Academic Studies Press, United States, 2012. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories which achieved a measure of coherence immediately after the First World War. This collection of essays by leading scholars examines the major figures, movements and manifestos of the period. Scholarly attention is given to literature, visual arts, cinema and theatre in an attempt to capture the complex nature of the modernist movement in Russia. This book would be especially relevant for university courses on the Russian twentieth century as well as for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde. Nº de ref. de la librería TNP9781936235292

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Descripción Academic Studies Press. Hardcover. Estado de conservación: New. Hardcover. 488 pages. Dimensions: 9.3in. x 6.1in. x 1.3in.The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories, which achieved a measure of coherence immediately after the First World War. This collection of essays by leading scholars examines the major figures, movements, and manifestos of the period. Scholarly attention is given to literature, visual arts, cinema, and theatre in an attempt to capture the complex nature of the modernist movement in Russia. This book would be especially relevant for university courses on the Russian twentieth century as well as for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Nº de ref. de la librería 9781936235292

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