A Dialogue with Nature: Romantic Landscapes from Britain and Germany (The Courtauld Gallery)

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9781907372667: A Dialogue with Nature: Romantic Landscapes from Britain and Germany (The Courtauld Gallery)

“The artist should not only paint what he sees before him,” claimed Caspar David Friedrich, “but also what he sees in himself”. He should have “a dialogue with Nature”. Friedrich’s words encapsulate two central elements of the Romantic conception of landscape: close observation of the natural world and the importance of the imagination. Exploring aspects of Romantic landscape drawing in Britain and Germany from its origins in the 1760s to its final flowering in the 1840s, this exhibition catalogue considers 26 major drawings, watercolors and oil sketches from The Courtauld Gallery, London, and the Morgan Library and Museum, New York, by artists such as J.M.W. Turner, Samuel Palmer, Caspar David Friedrich and Karl Friedrich Lessing. It draws upon the complementary strengths of both collections: the Morgan’s exceptional group of German drawings and The Courtauld’s wide-ranging holdings of British works. A Dialogue with Nature offers the opportunity to consider points of commonality as well as divergence between two distinctive schools. The legacy of Claude Lorrain’s idealizing vision is visible in Jakob Hackert’s magisterial view of ruins at Tivoli, near Rome, as well as in a more intimate but purely imaginary rural scene by Thomas Gainsborough, while cloud and tree studies by John Constable and Johann Georg von Dillis demonstrate the importance of drawing from life and the observation of natural phenomena. The important visionary strand of Romanticism is brought to the fore in a group of works centered on Friedrich’s evocative Moonlit Landscape and Samuel Palmer’s Oak Tree and Beech, Lullingstone Park. Both are exemplary of their creators’ intensely spiritual vision of nature as well as their strikingly different techniques, Friedrich’s painstakingly fine detail contrasting with the dynamic freedom of Palmer’s penwork. The most expansive and painterly works include Turner’s St Goarshausen and Katz Castle, the luminous simplicity of Francis Towne’s watercolor view of a wooded valley in Wales, and Friedrich’s subtle wash drawing of a coastal meadow on the remote Baltic island of Rügen. Three small-scale drawings reveal a more introspective and intimate facet of the Romantic approach to landscape: Theodor Rehbenitz’s fantastical medievalising scene, Palmer’s meditative Haunted Stream, and lastly, Turner’s Cologne, made as an illustration for The Life and Works of Lord Byron (1833).

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Matthew Hargraves, Rachel Sloan
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ISBN 10: 1907372660 ISBN 13: 9781907372667
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Descripción Paul Holberton Publishing, United Kingdom, 2014. Paperback. Estado de conservación: New. Language: English . Brand New Book. The artist should not only paint what he sees before him, claimed Caspar David Friedrich, but also what he sees in himself. He should have a dialogue with Nature . Friedrich s words encapsulate two central elements of the Romantic conception of landscape -- close observation of the natural world and the importance of the imagination. Exploring aspects of Romanticn landscape drawing in Britain and Germany from its origins in the 1760s to its final flowering in the 1840s, this exhibition catalogue consiers 26 major drawings, watercolours and oil sketches from The Courtauld Gallery, London, and the Morgan Library and Museum, New York, by artists such as J.M.W. Turner, Samuel Palmer, Caspar David Friedrich and Karl Friedrich Lessing. It draws upon the complementary strengthsy of both collections -- the Morgan s exceptional group of German drawings and The Courtauld s wide-ranging holdings of British works. A Dialogue with Nature offers the oppotunity to consider points of commonality as well as divergence between two distinctive schools. Nº de ref. de la librería AAJ9781907372667

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Descripción Paul Holberton Publishing, United Kingdom, 2014. Paperback. Estado de conservación: New. Language: English . Brand New Book. The artist should not only paint what he sees before him, claimed Caspar David Friedrich, but also what he sees in himself. He should have a dialogue with Nature . Friedrich s words encapsulate two central elements of the Romantic conception of landscape -- close observation of the natural world and the importance of the imagination. Exploring aspects of Romanticn landscape drawing in Britain and Germany from its origins in the 1760s to its final flowering in the 1840s, this exhibition catalogue consiers 26 major drawings, watercolours and oil sketches from The Courtauld Gallery, London, and the Morgan Library and Museum, New York, by artists such as J.M.W. Turner, Samuel Palmer, Caspar David Friedrich and Karl Friedrich Lessing. It draws upon the complementary strengthsy of both collections -- the Morgan s exceptional group of German drawings and The Courtauld s wide-ranging holdings of British works. A Dialogue with Nature offers the oppotunity to consider points of commonality as well as divergence between two distinctive schools. Nº de ref. de la librería AAJ9781907372667

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Descripción Paul Holberton Publishing, United Kingdom, 2014. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The artist should not only paint what he sees before him, claimed Caspar David Friedrich, but also what he sees in himself. He should have a dialogue with Nature . Friedrich s words encapsulate two central elements of the Romantic conception of landscape -- close observation of the natural world and the importance of the imagination. Exploring aspects of Romanticn landscape drawing in Britain and Germany from its origins in the 1760s to its final flowering in the 1840s, this exhibition catalogue consiers 26 major drawings, watercolours and oil sketches from The Courtauld Gallery, London, and the Morgan Library and Museum, New York, by artists such as J.M.W. Turner, Samuel Palmer, Caspar David Friedrich and Karl Friedrich Lessing. It draws upon the complementary strengthsy of both collections -- the Morgan s exceptional group of German drawings and The Courtauld s wide-ranging holdings of British works. A Dialogue with Nature offers the oppotunity to consider points of commonality as well as divergence between two distinctive schools. Nº de ref. de la librería BTE9781907372667

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