The Shadow of Rubens: Print Publishing in 17th-century Antwerp (THE PRINT COLLECTION OF THE ROYAL LIBRARY OF BELGIUM)

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9781905375509: The Shadow of Rubens: Print Publishing in 17th-century Antwerp (THE PRINT COLLECTION OF THE ROYAL LIBRARY OF BELGIUM)

This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time.

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About the Author:

Ann Diels (1969) works at the Print Room of the Royal Library of Belgium and teaches the History of European Printmaking at the Free University of Brussels. She has published the New Hollstein volumes on the Collaert Family (2005-2006) and 'The Family Collaert (ca. 1555-1630) en de prentkunst in Antwerpen' (2009).

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Abraham Van Diepenbeeck, Cornelis Schut, Erasmus Quellinus
Editorial: Harvey Miller Publishers 2009-12-01 (2009)
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Cantidad: 5
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Descripción Harvey Miller Publishers 2009-12-01, 2009. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-MAR-00029928

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Ann Diels
Editorial: Brepols N.V., Belgium (2010)
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Tapa dura Cantidad: 10
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Descripción Brepols N.V., Belgium, 2010. Hardback. Estado de conservación: New. Language: English . Brand New Book. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Nº de ref. de la librería AAJ9781905375509

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Ann Diels
Editorial: Brepols N.V., Belgium (2010)
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Tapa dura Cantidad: 10
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The Book Depository US
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Descripción Brepols N.V., Belgium, 2010. Hardback. Estado de conservación: New. Language: English . Brand New Book. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Nº de ref. de la librería AAJ9781905375509

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Abraham Van Diepenbeeck
Editorial: Brepols N.V. (2009)
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Cantidad: 10
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Books2Anywhere
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Descripción Brepols N.V., 2009. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9781905375509

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Abraham Van Diepenbeeck
Editorial: Harvey Miller Publishers
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Tapa dura Cantidad: 1
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THE SAINT BOOKSTORE
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Descripción Harvey Miller Publishers. Hardcover. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9781905375509

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Ann Diels
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Cantidad: 3
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Majestic Books
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Descripción Estado de conservación: New. Nº de ref. de la librería 6501579

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Diels, A.
Editorial: Harvey Miller Pub (2010)
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Tapa dura Cantidad: 1
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Revaluation Books
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Descripción Harvey Miller Pub, 2010. Hardcover. Estado de conservación: Brand New. 270 pages. 12.50x9.50x1.00 inches. In Stock. Nº de ref. de la librería __1905375506

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Diels, A.
Editorial: Brepols Publishers (2009)
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Tapa dura Cantidad: 6
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ISD LLC
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Descripción Brepols Publishers, 2009. Hardcover. Estado de conservación: New. 1905375506. Nº de ref. de la librería 8990H

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Ann Diels
Editorial: Brepols N.V., Belgium (2010)
ISBN 10: 1905375506 ISBN 13: 9781905375509
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Book Depository hard to find
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Descripción Brepols N.V., Belgium, 2010. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Nº de ref. de la librería BTE9781905375509

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A. Diels
Editorial: Brepols Publishers (2009)
ISBN 10: 1905375506 ISBN 13: 9781905375509
Nuevos Tapa dura Cantidad: 1
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Ergodebooks
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Descripción Brepols Publishers, 2009. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX1905375506

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