Much Ado About Nothing boasts one of Shakespeare's most delightful heroines, most dancing wordplay, and the endearing spectacle of intellectual and social self-importance bested by the desire to love and be loved in return. It offers both the dancing wit of the "merry war" between the sexes, and a sobering vision of the costs of that combat for both men and women. Shakespeare dramatizes a social world in all of its vibrant particulars, in which characters are shaped by the relations between social convention and individual choice. This edition of the play offers in its introduction and commentary an extensive discussion of the materials that informed Shakespeare's compositional choices, both those conventional sources and other contexts, from cuckold jokes to conduct books, which inform the ideas and identities of this play. Particular attention is devoted to Renaissance understandings of gender identity and social rank, as well as to the social valences of Shakespeare's stylistic choices. Among the elements of structure and style discussed are the two concurrent plots, the recurrence of verbal handshakes, and the use of music. A treatment of staging possibilities offers illustrations drawn from the earliest and recent theatrical practices, and a critical history examines the fate of the play in the changing trends of academic scholarship.
A casting chart and a list of abbreviations and references are includes as appendices. The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play’s foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.
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This is the first edition of Much Ado About Nothing focusing wholly on the play in performance. Shifting trends in the production of this popular drama are analysed in relation to the culture of each period since Shakespeare's time, with particular attention to gender issues. A commentary alongside the text recreates in lively detail interpretations of each passage in a variety of British, American, Canadian and other productions. An essential resource for students, teachers and performers, this is an illuminating book for theatregoers.From the Publisher:
Set in a courtly world of masked revels and dances, this play turns on the archetypal story if a lady falsely accused of unfaithfulness, spurned by her bridegroom, and finally vindicated and reunited with him. Villainy, schemes, and deceit threatens to darken the brilliant humor and sparkling wordplay--but the hilarious counterplot of a warring couple, Beatrice and Benedick, steals the scene as the two are finally tricked into admitting their love for each other in Shakespeare's superb comedy of manners.
"Sobre este título" puede pertenecer a otra edición de este libro.
Descripción Arden Shakespeare, 2005. Paperback. Estado de conservación: New. Never used!. Nº de ref. de la librería P111903436834
Descripción Arden Shakespeare, 2005. Paperback. Estado de conservación: New. Brand New!. Nº de ref. de la librería VIB1903436834
Descripción Estado de conservación: New. Brand new copy. Ships fast secure, expedited available!. Nº de ref. de la librería 3UBCFO0009LD
Descripción Arden Shakespeare, 2005. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M1903436834