Aby Warburg and the Image in Motion

4,19 valoración promedio
( 37 valoraciones por Goodreads )
 
9781890951405: Aby Warburg and the Image in Motion

Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material. As Phillippe-Alain Michaud shows in this important book, Warburg's own project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a "critical iconology" to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Vasari, Warburg's method operated through historical anachronisms and discontinuities. Using "montage-collision" to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad.Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him; Michaud uses Warburg's intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity.

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Philippe-Alain Michaud is the Film Curator at the Musée national d'art moderne-Centre Georges-Pompidou and the author of Le Peuple des images.



Georges Didi-Huberman teaches at the École des hautes études en sciences sociales in Paris. He is a winner of the Distinguished Lifetime Achievement Award for Writing on Art given by the College Art Association.

Review:

"Aby Warburg and the Image in Motion frames the work of its subject with a deft intelligence." Thomas Crow Bookforum

"Sobre este título" puede pertenecer a otra edición de este libro.

Los mejores resultados en AbeBooks

1.

Michaud, Philippe-Alain
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Cantidad: > 20
Librería
Paperbackshop-US
(Wood Dale, IL, Estados Unidos de America)
Valoración
[?]

Descripción 2007. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TM-9781890951405

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 15,22
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,41
A Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Philippe-Alain MichaudGeorges Didi-Huberman
Editorial: MIT Press
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Cantidad: > 20
Librería
INDOO
(Avenel, NJ, Estados Unidos de America)
Valoración
[?]

Descripción MIT Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 1890951404

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 15,66
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 2,99
A Estados Unidos de America
Destinos, gastos y plazos de envío

3.

Michaud, Philippe-Alain
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Cantidad: 1
Librería
Pbshop
(Wood Dale, IL, Estados Unidos de America)
Valoración
[?]

Descripción 2007. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9781890951405

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 15,26
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,41
A Estados Unidos de America
Destinos, gastos y plazos de envío

4.

Philippe-Alain Michaud
Editorial: ZONE BOOKS, United States (2007)
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Paperback Cantidad: 1
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción ZONE BOOKS, United States, 2007. Paperback. Estado de conservación: New. Language: English . Brand New Book. Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material. As Phillippe-Alain Michaud shows in this important book, Warburg s own project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a critical iconology to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Vasari, Warburg s method operated through historical anachronisms and discontinuities. Using montage-collision to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad.Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him; Michaud uses Warburg s intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity. Nº de ref. de la librería AAS9781890951405

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,74
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Philippe-Alain Michaud
Editorial: ZONE BOOKS, United States (2007)
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Paperback Cantidad: 1
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción ZONE BOOKS, United States, 2007. Paperback. Estado de conservación: New. Language: English . Brand New Book. Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material. As Phillippe-Alain Michaud shows in this important book, Warburg s own project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a critical iconology to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Vasari, Warburg s method operated through historical anachronisms and discontinuities. Using montage-collision to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad.Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him; Michaud uses Warburg s intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity. Nº de ref. de la librería AAS9781890951405

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,77
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Philippe-Alain Michaud
Editorial: ZONE BOOKS, United States (2007)
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Paperback Cantidad: 10
Librería
Book Depository hard to find
(London, Reino Unido)
Valoración
[?]

Descripción ZONE BOOKS, United States, 2007. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material. As Phillippe-Alain Michaud shows in this important book, Warburg s own project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a critical iconology to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Vasari, Warburg s method operated through historical anachronisms and discontinuities. Using montage-collision to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad.Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him; Michaud uses Warburg s intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity. Nº de ref. de la librería BTE9781890951405

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 20,82
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

7.

Michaud, Philippe-Alain
Editorial: Zone Books (2007)
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Paperback Cantidad: 1
Librería
Murray Media
(North Miami Beach, FL, Estados Unidos de America)
Valoración
[?]

Descripción Zone Books, 2007. Paperback. Estado de conservación: New. Never used!. Nº de ref. de la librería 1890951404

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,94
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 1,70
A Estados Unidos de America
Destinos, gastos y plazos de envío

8.

Michaud, Philippe-Alain
Editorial: Zone Books (2007)
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Tapa blanda Cantidad: 3
Librería
Valoración
[?]

Descripción Zone Books, 2007. Estado de conservación: New. 2007. Paperback. The purposeful discontinuities and juxtapositions of Aby Warburg's iconography and how they can be used to analyze other imagery. Translator(s): Hawkes, Sophie. Num Pages: 382 pages, 100 illus. BIC Classification: ABA; AC. Category: (P) Professional & Vocational. Dimension: 228 x 153 x 31. Weight in Grams: 646. . . . . . . Nº de ref. de la librería V9781890951405

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 21,77
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Irlanda a Estados Unidos de America
Destinos, gastos y plazos de envío

9.

Michaud, Philippe-Alain
Editorial: Zone Books
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos Tapa blanda Cantidad: 3
Librería
Kennys Bookstore
(Olney, MD, Estados Unidos de America)
Valoración
[?]

Descripción Zone Books. Estado de conservación: New. 2007. Paperback. The purposeful discontinuities and juxtapositions of Aby Warburg's iconography and how they can be used to analyze other imagery. Translator(s): Hawkes, Sophie. Num Pages: 382 pages, 100 illus. BIC Classification: ABA; AC. Category: (P) Professional & Vocational. Dimension: 228 x 153 x 31. Weight in Grams: 646. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9781890951405

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 22,79
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

10.

PhilippeÔÇôalain Michaud
Editorial: Zone 2007-04-03, New York :|London (2007)
ISBN 10: 1890951404 ISBN 13: 9781890951405
Nuevos paperback Cantidad: 5
Librería
Blackwell's
(Oxford, OX, Reino Unido)
Valoración
[?]

Descripción Zone 2007-04-03, New York :|London, 2007. paperback. Estado de conservación: New. Nº de ref. de la librería 9781890951405

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,83
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,29
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda