Dubbed the "Apollinaire of our times" by fellow poet and publisher Jonathan Williams, Simon Cutts, born in 1944, has tirelessly worked the fertile gaps between genres, issuing poems, prints, sculpture, artist's books and combinations of all of the above through Coracle, the imprint and sometime gallery he runs with book artist Erica Van Horn from their home in Southern Ireland. Through Coracle, Cutts has also championed artists such as Ian Hamilton Finlay, Anish Kapoor, Richard Tuttle and Trevor Winkfield, often long before their works found wider fame. Some Forms of Availability gathers speculative essays, interviews and other statements and texts by Cutts that address the legacy of the small presses and magazines of the 60s, from which milieu Coracle arose, as well as more recent developments in artists' books. Some Forms of Availability is illustrated with thumbnail images and facsimile reproductions of Coracle books and ephemera, and includes a useful chapter on their "polemical postcards." At ease in all printed idioms, and constructively indifferent to divisions between them, Cutts exploits the potential for humor and lightness of touch that is inherent in such idioms. This collection of his writings testifies to the clarity of his project.
"Sinopsis" puede pertenecer a otra edición de este libro.
Dubbed the "Apollinaire of our times" by fellow poet and publisher Jonathan Williams, Simon Cutts, born in 1944, has tirelessly worked the fertile gaps between genres, issuing poems, prints, sculpture, artist's books and combinations of all of the above through Coracle, the imprint and sometime gallery he runs with book artist Erica Van Horn from their home in Southern Ireland. Through Coracle, Cutts has also championed artists such as Ian Hamilton Finlay, Anish Kapoor, Richard Tuttle and Trevor Winkfield, often long before their works found wider fame. Some Forms of Availability gathers speculative essays, interviews and other statements and texts by Cutts that address the legacy of the small presses and magazines of the 60s, from which milieu Coracle arose, as well as more recent developments in artists' books. Some Forms of Availability is illustrated with thumbnail images and facsimile reproductions of Coracle books and ephemera, and includes a useful chapter on their "polemical postcards." At ease in all printed idioms, and constructively indifferent to divisions between them, Cutts exploits the potential for humor and lightness of touch that is inherent in such idioms. This collection of his writings testifies to the clarity of his project.
"Sobre este título" puede pertenecer a otra edición de este libro.
EUR 21,30 gastos de envío desde Estados Unidos de America a España
Destinos, gastos y plazos de envíoLibrería: Granary Books, New York, NY, Estados Unidos de America
5 1/2 x 8 1/2 in., 176 pp., smyth-sewn in wrappers. Dubbed "the Apollinaire of our times" by fellow poet and publisher Jonathan Williams, Simon Cutts, born in 1944, has tirelessly worked the fertile gaps between genres, issuing poems, prints, sculpture, artists' books and combinations of all of the above through Coracle, the imprint (and sometime gallery) he runs with book artist Erica Van Horn from their home in Southern Ireland. Through Coracle, Cutts has also championed artists such as Ian Hamilton Finlay, Anish Kapoor, Richard Tuttle and Trevor Winkfield, often long before their works found wider fame. Some Forms of Availability gathers speculative essays, interviews and other statements and texts by Cutts that address the legacy of the small presses and magazines of the 1960s, from which milieu Coracle arose, as well as more recent developments in artists' books. Some Forms of Availability is illustrated with thumbnail images and facsimile reproductions of Coracle books and ephemera, and includes a useful chapter on "polemical postcards." At ease in all printed idioms, and constructively indifferent to divisions between them, Cutts exploits the potential for humor and lightness of touch that is inherent in such idioms. This collection of his writings testifies to the clarity of his project. This is from an edition of 1000 copies in wrappers. As new. Nº de ref. del artículo: GB_139
Cantidad disponible: 1 disponibles
Librería: Frances Wetherell, Cambridge, Reino Unido
Original Wraps. Condición: Fine. Estado de la sobrecubierta: No Jacket as issued. 1st Edition. First printing in an edition of 1000 copies. Virtually as new. Nº de ref. del artículo: 007882
Cantidad disponible: 1 disponibles
Librería: Black's Fine Books & Manuscripts, Toronto, ON, Canada
Softcover. First Edition, First Printing. pp. 176. 8vo. Illustrated covers. Richly illustrated with many black-and-white, and colour photographs, portraits, illustrations, facsimiles, et al. Bright, clean, and unmarked; near fine. Assembles speculative essays, reviews, interviews, and collected statements and texts by Simon Cutts, longtime publisher of Coracle Press. Its concern is with the recent history of the book and the idea of publication arising from its occurrence in modernism, the small presses and the developing artists book. At the same time it introduces some fo the ephemera produced by Coracle over the years, the Polemical Postcards, and a facsimile case history of the distribution of one such understated work. These may all contribute to a new optimism for the availability of the small publication and for its sense of achievement within a finite means. Nº de ref. del artículo: 5024
Cantidad disponible: 1 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized. Nº de ref. del artículo: M188712375XZ2
Cantidad disponible: 1 disponibles