Renaissance Manuscripts: The Sixteenth Century (A SURVEY OF MANUSCRIPTS ILLUMINATED IN FRANCE)

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9781872501307: Renaissance Manuscripts: The Sixteenth Century (A SURVEY OF MANUSCRIPTS ILLUMINATED IN FRANCE)

This publication is the second volume in a multi-part reference work which will survey, catalogue and illustrate French manuscript illumination from the 7th to the 16th century. The first volume, Romanesque Manuscripts: the Twelfth Century, by Walter Cahn, was published in 1997. The present volume covers the Renaissance period. The catalogue gives detailed information about format, style and iconography, contents, provenance and literature for each manuscript, and is particularly valuable for the identification of different artists' and scribes' hands. The corpus of illustrations complements the catalogue and provides a much needed visual conspectus of Renaissance book illumination. This volume will serve scholars and collectors as a definitive reference book for an understanding of the variety and artistic excellence of French Renaissance illumination.

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"Focused on the period 1515-70, this beautiful two-volume set is the latest installment in a distinguished series, 'Survey of Manuscripts Illuminated in France.' [...] This is a required resource for anyone studying or interested in French Renaissance art. Summing up: Highly recommended. Upper-division undergraduates through faculty and professionals; general readers." --L. Nees, University of Delaware, CHOICE, October 2016

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M Orth
Editorial: Harvey Miller Publishers 2007-06-01 (2007)
ISBN 10: 1872501303 ISBN 13: 9781872501307
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Descripción Harvey Miller Publishers 2007-06-01, 2007. Hardcover. Estado de conservación: New. Nº de ref. de la librería NU-MAR-00020695

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M Orth
Editorial: Brepols N.V., Belgium (2016)
ISBN 10: 1872501303 ISBN 13: 9781872501307
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Descripción Brepols N.V., Belgium, 2016. Hardback. Estado de conservación: New. Language: English . Brand New Book. This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars - specialists in French manuscripts studies of the period - have helped to update the literature that has more recently appeared relating to the manuscripts catalogued and to the individual artists and workshops discussed. Present locations of manuscripts that may have changed ownership since Dr Orth s submission of her work have also been noted. To accompany the detailed catalogue, the publication includes a corpus of 360 illustrations that offers a significant visual conspectus of manuscript illumination of the period. In addition to the introductory text, the author also provides brief biographies of Artists and Scribes, Authors and Translators, and Patrons and Dedicatees. Nº de ref. de la librería AAJ9781872501307

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M Orth
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Descripción Brepols N.V., Belgium, 2016. Hardback. Estado de conservación: New. Language: English . Brand New Book. This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars - specialists in French manuscripts studies of the period - have helped to update the literature that has more recently appeared relating to the manuscripts catalogued and to the individual artists and workshops discussed. Present locations of manuscripts that may have changed ownership since Dr Orth s submission of her work have also been noted. To accompany the detailed catalogue, the publication includes a corpus of 360 illustrations that offers a significant visual conspectus of manuscript illumination of the period. In addition to the introductory text, the author also provides brief biographies of Artists and Scribes, Authors and Translators, and Patrons and Dedicatees. Nº de ref. de la librería AAJ9781872501307

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M Orth
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ISBN 10: 1872501303 ISBN 13: 9781872501307
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Descripción Brepols N.V., 2007. UNK. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9781872501307

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Descripción Taylor & Francis Group. Estado de conservación: New. pp. 480 Illus. Nº de ref. de la librería 6550093

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Descripción Harvey Miller Pub, 2016. Hardcover. Estado de conservación: Brand New. 721 pages. 13.50x9.50x2.50 inches. In Stock. Nº de ref. de la librería __1872501303

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Descripción Brepols Publishers, 2016. Hardcover. Estado de conservación: New. 1872501303. Nº de ref. de la librería 9668H

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Descripción Harvey Miller Publishers, London, 2016. Couverture rigide. Estado de conservación: Neuf. Estado de la sobrecubierta: Neuf. Edition originale. Title: French Renaissance Manuscripts: The Sixteenth Century Author: Orth, Myra Price: $325.00 = EUR 302,00.- ISBN: 9781872501307 Description: Turnhout: Harvey Miller, 2016. 2 vols. 33cm., hardcover, 721pp., 321 b&w illus., 55 color plates. Summary: This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars ¿ specialists in French manuscripts studies of the period ¿ have helped to update the literature that has more recently appeared relating to the manuscripts c-. Language : English text. Nº de ref. de la librería 009582

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Descripción Brepols N.V., Belgium, 2016. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This publication is the first comprehensive survey to establish the importance of Renaissance manuscript illumination in the history of sixteenth-century French art. Although illustrated printed books were circulating freely by the beginning of the sixteenth century, patronage of manuscripts became all the more special to the ruling elite, and commissions from the court, aristocratic circles and the higher clergy resulted in a surge of artistic creativity that produced a wide range of outstanding illustrated works from devotional books to translations of classical and humanistic texts. While continuing the tradition of French figurative art, ornamentation became a major element in the style of the period, with frames and borders becoming a significant feature of the aesthetic impact of the illuminated page. One hundred manuscripts have been chosen for this survey to represent the artistic excellence of French book production of the period, as well as to demonstrate the stylistic relationships between artists and between books that may be seen to form distinct groups. Many years of research enabled the author to identify the hands of individual illuminators, both named and anonymous, and to connect these to a particular artistic milieu or regional group. Moreover, not only are the stylistic aspects of the manuscripts analysed, but entirely new information regarding authorship, patronage and historical context are revealed here of hitherto unstudied material. The author, Myra Orth, completed her catalogue and introductory texts shortly before her sad death some years ago. Since that time, a number of scholars - specialists in French manuscripts studies of the period - have helped to update the literature that has more recently appeared relating to the manuscripts catalogued and to the individual artists and workshops discussed. Present locations of manuscripts that may have changed ownership since Dr Orth s submission of her work have also been noted. To accompany the detailed catalogue, the publication includes a corpus of 360 illustrations that offers a significant visual conspectus of manuscript illumination of the period. In addition to the introductory text, the author also provides brief biographies of Artists and Scribes, Authors and Translators, and Patrons and Dedicatees. Nº de ref. de la librería BTE9781872501307

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Myra Orth
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ISBN 10: 1872501303 ISBN 13: 9781872501307
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Descripción Brepols Publishers, 2016. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M1872501303

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