Comfort Woman - Tapa blanda

An impressive debut ... the characterisation is sharp, the prose lyrical without being affected (SUNDAY TELEGRAPH)

An emotional touch so sure and a sense of language so precise she seems to have sprung into print full-grown as a novelist (NEWSWEEK)

"Comfort women"--that dumbing-down euphemism for the almost one quarter of a million Asian women who were made sexual slaves of the Japanese military during World War Two. Comfort Woman, the title of Nora Okja Keller's brave and utterly compelling first novel, tells of one such woman, the Korean Akiko, and her first-generation Hawaiian -American daughter Beccah. Narrated in their two voices, what is harrowingly pieced together is the horror of Akiko's enslavement in a Japanese camp, her escape by abandoning her very name, her country and for a time her voice, a forced marriage to an American missionary, more intent on her body than her soul. It is only the birth of Beccah that tethers her: "Blooming in the boundary between life and death, this child, with the tendril of her body, keeps me from crossing over and roots me to this earth." Beccah is in turns stifled and mortified by her mother's suffocating protectiveness, yet frightened by her absences into a spirit world of ravings and tyrannical ritual. (The fabric of their stories is shot through with the pain of Akiko's exile and of Beccah's rejection of her mother's incomprehensible omens--until after her death when she comes to know her mother's story and understands it as a part of her own.)

The novel's subtle reflection on the nature of colonisation, of deracination and cultural transformation, is rendered through a wonderful precision of language and originality of characterisation. Comfort Woman is a rich testament to the unquenchable resi (Ruth Petrie, AMAZON.CO.UK REVIEW)