Bob Dylan In America - Tapa dura

"A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz' Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song" (Martin Scorsese)

"All the American connections that Wilentz draws to explain the appearance of Dylan's music are fascinating, particularly at the outset the connection to Aaron Copland. The writing is strong, the thinking is strong - the book is dense and strong everywhere you look" (Philip Roth)

"Writing about Bob Dylan's music, and fitting it into the great crazy quilt of American culture, Sean Wilentz sews a whole new critical fabric, part history, part close analysis, and all heart. What he writes, as well as anyone ever has, helps us enlarge Dylan's music by reckoning its roots, its influences, its allusive spiritual contours" (Jay Cocks, screenwriter for THE AGE OF INNOCENCE and THE GANGS OF NEW YORK)

"Sean Wilentz makes us think about Bob Dylan's half-century of work in new ways. Combining a scholar's depth with a sense of mischief appropriate to the subject, Wilentz hears new associations in famous songs and sends us back to listen to Dylan's less familiar music with fresh insights. By focusing on the parts of Dylan's canon that most move him, Wilentz getsstraight to the heart of the matter. If you thought there was nothing new to say about Bob Dylan's impact on America, this book will make you think twice" (Bill Flanagan, Editorial Director: MTV Networks)

"Sean Wilentz's beautiful book sets a new standard for the cultural history of popular music in America" (Leon Wieseltier)

Growing up in Greenwich Village in the 1960s Sean Wilentz discovered the music of Bob Dylan as a young teenager. Almost half a century later, now a distinguished professor of American history, he revisits Dylan's work with the critical skills of a scholar and the passion of a fan. Drawing partly on his work as the current historian-in-residence on Dylan's official website, Sean Wilentz provides a unique blend of biography, memoir and anlysis in a book which, much like its subject, shifts gears and changes shape as the occasion demands.

Beginning with Dylan's explosion onto the scene in 1961, this book charts his career and the evolution of his astonishing output and places it firmly within a vivid musical and cultural context. It examines the influence of the Popular Front ideology and of Beat aesthetics, as well as the debt and sometimes surprising connections to other composers and performers - as diverse as Aaron Copland and Blind Willie McTell. The result is a broad and brilliantly illuminating appreciation of Dylan as both performer and songwriter up to the present day.

Sean Wilentz has had unprecedented access to studio tapes, recording notes and rare photographs - many of which are reproduced here. This remarkable material allows him to tell Dylan's story - and that of such masterpieces as Blonde on Blonde - with unrivalled authenticity and richness.