During a party at the family farm in the English countryside, sixteen-year-old Laurel Nicolson has escaped to her childhood tree house and is dreaming of the future. She spies a stranger coming up the road and sees her mother speak to him. Before the afternoon is over, Laurel will witness a shocking crime that challenges everything she knows about her family and especially her mother, Dorothy. Now, fifty years later, Laurel is a successful and well-regarded actress, living in London. She returns to the family farm for Dorothy’s ninetieth birthday and finds herself overwhelmed by questions she has not thought about for decades. From pre-WWII England through the Blitz, to the fifties and beyond, discover the secret history of three strangers from vastly different worlds—Dorothy, Vivien, and Jimmy—who meet by chance in wartime London and whose lives are forever entwined. The Secret Keeper explores longings and dreams, the lengths people go to fulfill them, and the consequences they can have. It is a story of lovers, friends, dreamers, and schemers told—in Morton’s signature style—against a backdrop of events that changed the world.
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Kate Morton, a native Australian, holds degrees in dramatic art and English literature. She lives with her family in Brisbane, Australia.Excerpt. © Reprinted by permission. All rights reserved.:
The Secret Keeper
RURAL England, a farmhouse in the middle of nowhere, a summer’s day at the start of the 1960s. The house is unassuming: half-timbered, with white paint peeling gently on the western side and clematis scrambling up the plaster. The chimney pots are steaming, and you know, just by looking, that there’s something tasty simmering on the stove top beneath. It’s something in the way the vegetable patch has been laid out, just so, at the back of the house, the proud gleam of the leadlight windows, the careful patching of the roofing tiles.
A rustic fence hems the house, and a wooden gate separates the tame garden from the meadows on either side, the copse beyond. Through the knotted trees a stream trickles lightly over stones, flitting between sunlight and shadow as it has done for centuries, but it can’t be heard from here. It’s too far away. The house is quite alone, sitting at the end of a long, dusty driveway, invisible from the country lane whose name it shares.
Apart from an occasional breeze, all is still, all is quiet. A pair of white hula hoops, last year’s craze, stand propped against the wisteria arch. A teddy bear with an eye patch and a look of dignified tolerance keeps watch from his vantage point in the peg basket of a green laundry trolley. A wheelbarrow loaded with pots waits patiently by the shed.
Despite its stillness, perhaps because of it, the whole scene has an expectant, charged feeling, like a theater stage in the moments before the actors walk out from the wings. When every possibility stretches ahead and fate has not yet been sealed by circumstance, and then—
“Laurel!” A child’s impatient voice, some distance off. “Laurel, where are you?”
And it’s as if a spell has been broken. The house lights dim; the curtain lifts.
A clutch of hens appears from nowhere to peck between the bricks of the garden path, a jay drags his shadow across the garden, a tractor in the nearby meadow putters to life. And high above it all, lying on her back on the floor of a wooden tree house, a girl of sixteen pushes the lemon Spangle she’s been sucking hard against the roof of her mouth and sighs.
It was cruel, she supposed, just to let them keep hunting for her, but with the heat wave and the secret she was nursing, the effort of games—childish games at that—was just too much to muster. Besides, it was all part of the challenge, and as Daddy was always saying, fair was fair and they’d never learn if they didn’t try. It wasn’t Laurel’s fault she was better at finding hiding places. They were younger than her, it was true, but it wasn’t as if they were babies.
And anyway, she didn’t particularly want to be found. Not today. Not now. All she wanted to do was lie here and let the thin cotton of her dress flutter against her bare legs, while thoughts of him filled her mind.
She closed her eyes, and his name sketched itself with cursive flair across the blackened lids. Neon, hot-pink neon. Her skin prickled, and she flipped the Spangle so its hollow center balanced on the tip of her tongue.
The way he stared at her over the top of his black sunglasses, the jagged lopsided smile, his dark teddy-boy hair . . .
It had been instant, just as she’d known real love would be. She and Shirley had stepped off the bus five Saturdays ago to find Billy and his friends smoking cigarettes on the dance-hall steps. Their eyes had met, and Laurel had thanked God she’d decided a weekend’s pay was fair exchange for a new pair of nylons.
“Come on, Laurel.” This was Iris, voice sagging with the day’s heat. “Play fair, why don’t you?”
Laurel closed her eyes tighter.
They’d danced each dance together. The band had skiffled faster, her hair had loosened from the French roll she’d copied carefully from the cover of Bunty, her feet had ached, but still she’d kept on dancing. Not until Shirley, miffed at having been ignored, arrived aunt-like by her side and said the last bus home was leaving if Laurel cared to make her curfew (she, Shirley, was sure she didn’t mind either way) had she finally stopped. And then, as Shirley tapped her foot and Laurel said a flushed good-bye, Billy had grabbed her hand and pulled her towards him, and something deep inside of Laurel had known with blinding clarity that this moment, this beautiful, starry moment, had been waiting for her all her life—
“Oh, suit yourself.” Iris’s tone was clipped now, cross. “But don’t blame me when there’s no birthday cake left.”
The sun had slipped past noon, and a slice of heat fell through the tree-house window, firing Laurel’s inner eyelids cherry cola. She sat up but made no further move to leave her hiding spot. It was a decent threat—Laurel’s weakness for her mother’s Victoria sponge was legendary—but an idle one. Laurel knew very well that the cake knife lay forgotten on the kitchen table, missed amid the earlier chaos as the family gathered picnic baskets, rugs, fizzy lemonade, swimming towels, and the new transistor, and burst, stream-bound, from the house. She knew because when she’d doubled back under the guise of hide-and-seek and sneaked inside the cool, dim house to fetch the package, she’d seen the knife sitting by the fruit bowl, red bow tied around its handle.
The knife was a tradition—it had cut every birthday cake, every Christmas cake, every Somebody-Needs-Cheering-Up cake in the Nicolson family’s history—and their mother was a stickler for tradition. Ergo, until someone was dispatched to retrieve the knife, Laurel knew she was free. And why not? In a household like theirs, where quiet minutes were rarer than hen’s teeth, where someone was always coming through one door or slamming another, to squander privacy was akin to sacrilege.
Today, especially, she needed time to herself.
The package had arrived for Laurel with last Thursday’s post, and in a stroke of good fortune Rose had been the one to meet the postman, not Iris or Daphne or—God help her—Ma. Laurel had known immediately who it was from. Her cheeks had burned crimson, but she’d managed somehow to stutter words about Shirley and a band and an EP she was borrowing. The effort of obfuscation was lost on Rose, whose attention, unreliable at best, had already shifted to a butterfly resting on the fence post.
Later that evening, when they were piled in front of the television watching Juke Box Jury, and Iris and Daphne were debating the comparative merits of Cliff Richard and Adam Faith, and their father was bemoaning the latter’s false American accent and the broader wastage of the entire British Empire, Laurel had slipped away. She’d fastened the bathroom lock and slid to the floor, back pressed firm against the door.
Fingers trembling, she’d torn the end of the package.
A small book wrapped in tissue had dropped into her lap. She’d read its title through the paper—The Birthday Party by Harold Pinter—and a thrill had shot along her spine. Laurel had been unable to keep from squealing.
She’d been sleeping with it inside her pillowcase ever since. Not the most comfortable arrangement, but she liked to keep it close. She needed to keep it close. It was important.
There were moments, Laurel solemnly believed, in which a person reached a crossroads, when something happened, out of the blue, to change the course of life’s events. The premiere of Pinter’s play had been just such a moment. She’d read about it in the newspaper, and felt an inexplicable urge to attend. She’d told her parents she was visiting Shirley and sworn Shirley to deepest secrecy, and then caught the bus into Cambridge.
It had been her first trip anywhere alone, and as she sat in the darkened Arts Theatre watching Stanley’s birthday party descend into nightmare, she’d experienced an elevation of spirits the likes of which she’d never felt before. It was the sort of revelation the flush-faced Misses Buxton seemed to enjoy at church each Sunday morning, and while Laurel suspected their enthusiasm had more to do with the new young rector than the word of God, sitting on the edge of her cheap seat as the lifeblood of the onstage drama reached inside her chest and plugged into her own, she’d felt her face heat blissfully, and she’d known. She wasn’t sure what exactly, but she’d known it absolutely: there was more to life, and it was waiting for her.
She’d nursed her secret to herself, not entirely sure what to do with it, not remotely sure how to go about explaining it to someone else, until the other evening, with his arm around her and her cheek pressed firmly against his leather jacket, she’d confessed it all to Billy . . .
Laurel took his letter from inside the book and read it again. It was brief, saying only that he’d be waiting for her with his motorcycle at the end of the lane on Saturday afternoon at two thirty—there was this little place he wanted to show her, his favorite spot along the coast.
Laurel checked her wristwatch. Less than two hours to go.
He’d nodded when she told him about the performance of The Birthday Party and how it made her feel; he’d spoken about London and theater and the bands he’d seen in nameless nightclubs, and Laurel had glimpsed gleaming possibilities. And then he’d kissed her, her first proper kiss, and the electric bulb inside her head had exploded so that everything burned white.
She shifted to where Daphne had propped the little hand mirror from her vanity set, and stared at herself, comparing the black flicks she’d drawn with painstaking care at the corner of each eye. Satisfied they were even, she smoothed her fringe and tried to quell the dull, sick-making sense that she’d forgotten something important. She’d remembered a beach towel; she wore her swimsuit already beneath her dress; she’d told her parents that Mrs. Hodgkins needed her for some extra hours in the salon, sweeping and cleaning.
Laurel turned from the mirror and nibbled a snag of fingernail. It wasn’t in her nature to sneak about, not really; she was a good girl, everybody said so—her teachers, the mothers of friends, Mrs. Hodgkins—but what choice did she have? How could she ever explain it to her mother and father?
She knew quite certainly that her parents had never felt love, no matter the stories they liked to tell about the way they met. Oh, they loved each other well enough, but it was a safe, old-person’s love, the sort expressed in shoulder rubs and endless cups of tea. No—Laurel sighed heatedly. It was safe to say that neither had ever known the other sort of love, the sort with fireworks and racing hearts and physical—she blushed—desires.
A warm gust brought with it the distant sound of her mother’s laughter, and the awareness, however vague, that she stood at a precipice in her life made Laurel fond. Dear Ma. It wasn’t her fault her youth had been wasted on the war. That she’d been practically twenty-five when she met and married Daddy; that she still trotted out her paper-boat-making skills when any of them needed cheering up; that the highlight of her summer had been winning the village gardening club prize and having her picture in the paper. (Not just the local paper, either—the article had been syndicated in the London press, in a big special about regional happenings. Shirley’s barrister father had taken great pleasure in trimming it out of his newspaper and bringing it round to show them.) Ma had played at embarrassment and protested when Daddy stuck the clipping on the new refrigerator, but only halfheartedly, and she hadn’t taken it down. No, she was proud of her extra-long runner beans, really proud, and that was just the sort of thing that Laurel meant. She spat out a fine shard of fingernail. In some indescribable way it seemed kinder to deceive a person who took pride in runner beans than it was to force her to accept the fact that the world had changed.
Laurel hadn’t much experience with deceit. They were a close family—all of her friends remarked upon it. To her face and, she knew, behind her back. As far as outsiders were concerned, the Nicolsons had committed the deeply suspicious sin of seeming genuinely to like one another. But lately things had been different. Though Laurel went through all the usual motions, she’d been aware of a strange new distance. She frowned slightly as the summer breeze dragged strands of hair across her cheek. At night, when they sat around the dinner table and her father made his sweet, unfunny jokes and they all laughed anyway, she felt as if she were on the outside looking in, as if the others were on a train carriage, sharing the same old family rhythms, and she alone stood at the station watching as they pulled away.
Except that it was she who would be leaving them, and soon. She’d done her research: the Central School of Speech and Drama was where she needed to go. What, she wondered, would her parents say when she told them she wanted to leave? Neither of them was particularly worldly—her mother hadn’t even been as far as London since Laurel was born—and the mere suggestion that their eldest daughter was considering a move there, let alone a shadowy existence in the theater, was likely to send them into a state of apoplexy.
Below her, the washing shrugged wetly on the line. A leg of the denim jeans Grandma Nicolson hated so much (“You look cheap, Laurel—there’s nothing worse than a girl who throws herself around”) flapped against the other, frightening the one-winged hen into squawking and turning circles. Laurel slid her white-rimmed sunglasses onto her nose and slumped against the tree-house wall.
The problem was the war. It had been over for sixteen years—all her life—and the world had moved on. Everything was different now; gas masks, uniforms, ration cards, and all the rest of it belonged only in the big old khaki trunk her father kept in the attic. Sadly, though, some people didn’t seem to realize it—namely, the entire population over the age of twenty-five.
Billy said she wasn’t ever going to find the words to make them understand. He said it was called the “generation gap” and that trying to explain herself was pointless, that it was like it said in the Alan Sillitoe book he carried everywhere in his pocket, adults weren’t supposed to understand their children and you were doing something wrong if they did.
A habitual streak in Laurel—the good girl, loyal to her parents—had leaped to disagree with him, but she hadn’t. Her thoughts had fallen instead to the evenings lately when she managed to creep away from her sisters, when she stepped out into the balmy dusk, transistor radio tucked beneath her blouse, and climbed with a racing heart into the tree house. There, alone, she’d hurry the tuning dial to Radio Luxembourg and lie back in the dark, letting the music surround her. And as it seeped into the still country air, blanketing the ancient landscape with the newest songs, Laurel’s skin would prickle with the sublime intoxication of knowing herself to be part of something bigger: a worldwide conspiracy, a secret group. A new generation of people, all listening at the very same moment, who understood that life, the world, the future, were out there waiting for them . . .
Laurel opened her eyes and the memory fled. Its warmth lingered, though, and with a satisfied stretch she followed the path of a rook casting across a graze of cloud. Fly, little b...
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Descripción Bolinda Audio, 2013. MP3 CD. Estado de conservación: New. book. Nº de ref. de la librería M174316498X
Descripción Bolinda Audio, 2013. MP3 CD. Estado de conservación: Brand New. mp3 una edition. 7.50x5.37x0.50 inches. In Stock. Nº de ref. de la librería 174316498X