The Complete Peanuts 1983-1984, Vol. 17

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9781606995235: The Complete Peanuts 1983-1984, Vol. 17

Snoopy's brother Spike and Peppermint Patty take starring roles in the latest Collection for the years 1983 and 1984 of one of the world's most popular newspaper comic strips.

As Peanuts reaches the mid-1980s, Charles Schulz is still creating and playing with new characters, and in this volume Snoopy’s deadpan, droopy-mustached brother Spike takes center stage: Surrounded by coyotes in the desert where he lives and who are attacking him with rubber bands, he sends a frantic message to Snoopy who launches an expedition to save him. Then, he makes the long trek back to Snoopy’s neck of the woods accompanied by his only friend (a cactus, of course)... and throughout the rest of the book, pops up in hilarious, Waiting for Godot-style vignettes set in his native Needles.

In romantic news, the Peppermint Patty-Marcie-Charlie Brown love triangle of overlapping unrequited love heats up (well,kind of ), while Linus continues to vociferously deny that he is Sally’s “Sweet Babboo”; of course, Lucy’s unsuccessful pursuit of Schroeder remains unabated. Also, a romance blossoms between two of Snoopy’s “Beagle Scout” birds. (We will pass over Spike’s brief attraction to one of the coyotes.)

In what is probably his most baroque and hilarious baseball-involved humiliation yet, Charlie Brown agrees to join Peppermint Patty’s team the “Pelicans” only to discover that he’s wanted not as a player but as a mascot... Linus gives up his security blanket and forms a support group for other kids who are trying to do the same... and Peppermint Patty manages to be held back in school (leaving a “Snoring Ghost” to take her place in the rest of the class that has advanced) and yet get to go on a European trip with her dad, sending back periodic dispatches from the road. All this plus appearances from Franklin, Rerun, and the rest of the gang in these strips from a period of Peanuts that’s far less well-known than the endlessly-collected 1960s and 1970s eras...

Black & white throughout

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About the Author:

Charles M. Schulz was born November 25, 1922, in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course, and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post―as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts―and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate.) The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day―and the day before his last strip was published―having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand―an unmatched achievement in comics.

Review:

“The seventeenth volume of . . . [The Compete Peanuts] is just as delightful as all the rest. Yes, the ink line of Charles Schulz is a little wobbly at times, but his humor is just as sharp as ever...if you want reading material that will make you smile and laugh it’s hard to beat this series. And I’m continuing to admire the subtle and classy cover designs by Seth.”
- Todd Klein, (Eisner Award-winning letterer and designer)

The Complete Peanuts 1983-1984 is an excellent installment of an excellent series. ...Peanuts is a standalone achievement that deserves every accolade it has received. Fantagraphics’ reprints have more than risen to the challenge of giving Peanuts the comprehensive editions it has long deserved. Stellar.”
- Eric Hoffman, Comics Bulletin

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