Prince Zaleski by M. P. Shiel, Fiction, Fantasy, Mystery & Detective, Fairy Tales, Folk Tales, Legends & Mythology [Idioma Inglés]

Never without grief and pain could I remember the fate of Prince Zaleski -- victim of a too importunate, too unfortunate Love, which the fulgor of the throne itself could not abash; exile perforce from his native land, and voluntary exile from the rest of men! Having renounced the world, over which, lurid and inscrutable as a falling star, he had passed, the world quickly ceased to wonder at him; and even I, to whom, more than to another, the workings of that just and passionate mind had been revealed, half forgot him in the rush of things. But during the time that what was called the "Pharanx labyrinth" was exercising many of the heaviest brains in the land, my thought turned repeatedly to him; and even when the affair had passed from the general attention, a bright day in Spring, combined perhaps with a latent mistrust of the denoument of that dark plot, drew me to his place of hermitage. I reached the gloomy abode of my friend as the sun set. . . .

. NOTA: El libro no está en español, sino en inglés.

Matthew Phipps Shiell (1865 - 1947) - known as M. P. Shiel - was a prolific British writer of West Indian descent. His legal surname remained "Shiell" though he adopted the shorter version as a de facto pen name. He is remembered mostly for supernatural horror and scientific romances. His work was published as serials, novels and as short stories. The Purple Cloud (1901, revised 1929) remains his most famous and often reprinted novel. Around 1899-1900 Shiel conceived a loosely linked trilogy of novels which were described by David G. Hartwell in his introduction to the Gregg Press edition of The Purple Cloud as possibly the first future history series in science fiction. Each was linked by similar introductory frame purporting to show that the novels were visions of progressively more distant futures glimpsed by a clairvoyant in a trance. Notebook I of the series had been plotted at least by 1898, but would not see print until published as The Last Miracle (1906). Notebook II became The Lord of the Sea (1901), which was recognized by contemporary readers as a critique of private ownership of land based on the theories of Henry George.