Byron, Christie, Eileen and Dexter are friends on the campus of Kent State University at the time of the Kent State murders. As they graduate and go their separate ways, they face the issues and challenges of the 1970's including three presidencies, the Watergate scandal, the end of the Vietnam War, the rise of the women's movement and a surreal mass suicide. The 70's combines historic news footage with top-notch production and factual history with the story of four friends learning learning about life, love, and of course, disco.
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In 170 minutes, this NBC-produced miniseries hoped to capture a decade--and in many ways, it did. The '70s traces the lives of four friends from their senior year at Kent State (marked by the killing of four student protestors by the National Guard) through the era of Watergate and Tang. At its worst, it's a so-so soap opera held together by fascinating bits of historical trivia, giving equal time to the issues of the era (the Equal Rights Amendment, the oil crisis) and inescapable bits of pop culture (Mary Tyler Moore and the hustle). The characters are pretty obviously engineered to plumb every angle of the decade's cultural topography: the young black National Guardmember who deserts to Los Angeles in time to join the Black Panthers and open a cinema featuring hits like Shaft and Cleopatra Jones, the sorority girl turned disco queen turned California cultist, the young intellectual woman who finds feminism and abandons marriage in favor of a career, and the conservative law student turned Watergate burglar turned pipeline worker turned environmentalist. The acting's not bad and the story hangs together, but the show is really at its best when the soundtrack takes over, allowing montages of memorable photos and archival film clips to reveal (and revel in) the real history behind the melodrama. --Grant Balfour
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