The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy (Screen Cultures: German Film and the Visual)

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9781571135322: The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy (Screen Cultures: German Film and the Visual)

Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume.

Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W. McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale.

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About the Author:

Christian Rogowski is Professor of German at Amherst College.

Review:

An important contribution to the literature on Weimar cinema, originally published in 2010, now available in an economical paperback edition. . . . The editor, Christian Rogowski . . . places in focus not the canonical films of the time like Caligari, Nosferatu, or Metropolis, but instead important films of the "second rank" and specific thematic connections. . . . Almost all the essays are conceived and formulated at a high level and make visible connections between film and society in the Weimar period. The approximately sixty images are helpful to the reader... --Hans-Helmut Prinzler

[A]n enormously important and didactically helpful intervention . . . . [The book] lives up to the promise of its title and should soon become mandatory reading for everyone interested in new perspectives on Weimar Cinema. --Filmblatt

Goes beyond a mere reevaluation of film classics in matters of film and topic selection. . . . The essays offer readers fresh perspectives on . . . a cornucopia of undiscovered or relatively unknown filmic gems, paired with long overdue approaches of media studies . . . . [I]t genuinely rediscovers Germany's filmic legacy. --German Studies Review

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Editorial: Boydell Brewer Ltd, United States (2011)
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Descripción Boydell Brewer Ltd, United States, 2011. Paperback. Estado de conservación: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****.Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, expressionist film, has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume. Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W. McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor of German at Amherst College. Nº de ref. de la librería AAV9781571135322

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Descripción Boydell Brewer Ltd, United States, 2011. Paperback. Estado de conservación: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****. Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, expressionist film, has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume. Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W. McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor of German at Amherst College. Nº de ref. de la librería AAV9781571135322

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